In Arabia We'd All Be Kings - Guirgis, Sa
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"A harrowing new play...just when it seems [IN ARABIA] will settle for the shock value of its raw and violent language and imagery, Mr Adly Guirgis begins to tie all his loose ends together in a grim and sad portrait of life on the streets." New Lenny is a recently released ex-convict. Daisy, his alcoholic girlfriend, craves a "real" life with a "real" man and abandons him at their local in favour of some cheap Chinese takeout. At the bar is Skank, a failed actor-turned-junkie, who is trying to outlast the rainstorm and get a buyback. De Maris, a seventeen-year-old gun-brandishing single…mehr

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Produktbeschreibung
"A harrowing new play...just when it seems [IN ARABIA] will settle for the shock value of its raw and violent language and imagery, Mr Adly Guirgis begins to tie all his loose ends together in a grim and sad portrait of life on the streets." New Lenny is a recently released ex-convict. Daisy, his alcoholic girlfriend, craves a "real" life with a "real" man and abandons him at their local in favour of some cheap Chinese takeout. At the bar is Skank, a failed actor-turned-junkie, who is trying to outlast the rainstorm and get a buyback. De Maris, a seventeen-year-old gun-brandishing single mother wants to learn to turn tricks. She enlists the aid of Chickie, Skank's girlfriend, a young crackhead hooker. But the bar is about to be sold up as the New York real estate boom kicks in. Guirgis' cast of low life have "lack of self-pity" tattooed to their souls. Published to tie in with the Hampstead Theatre's production in April 2003, this is the second play by the writer of Jesus Hopped the A Train - "Shocking, shattering, stunningly well-written" (Daily Telegraph); "Guirgis airs metaphysical ideas seldom touched by British dramatists" (The Times).
Autorenporträt
Stephen Adly Guirgis is a member and former co-artistic director of LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. They include: Our Lady of 121st Street (Drama Desk, Lucille Lortel, Outer Critics Circle Best Play Nominations), Jesus Hopped the 'A' Train (Edinburgh Festival Fringe First Award, Barrymore Award, Olivier Nomination for London's Best New Play), In Arabia, We'd All Be Kings (2007 LA Drama Critics Best Play, Best Writing Award), The Last Days of Judas Iscariot (10 Best Time Magazine and Entertainment Weekly) and The Little Flower of East Orange, with Ellen Burstyn and Michael Shannon. All five plays were directed by Philip Seymour Hoffman and were originally produced by LAByrinth. He has received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a TCG fellowship. He is also a New Dramatists Alumnae and a member of MCC's Playwright's Coalition, The Ojai Playwrights Festival, New River Dramatists and LAByrinth Theater Company. He was presented with the Steinberg Distinguished Playwright Award at the Seventh Annual Steinberg Playwright "Mimi" Awards, in November 2014, at Lincoln Center Theater.