Acknowledgements
Introduction- Estrangement and Exemplarity: In Person Reenactment
Exemplarity
Stages of Actualization
In Person the book
Chapter 1 Casting Relatives: The Spectrum of Substitution
Orson Welles' Four Men in a Raft (It's All True)
Endurance : Kinship and the Exceptional Body
Reenacting Heredity: Sons
Chapter 2 Neorealist Reenactment as postwar Pedagogy
Zavattini's "Last Judgment" Cinema
The Story of Caterina
Footprints: Streetwalkers and Maggiorani's Back
Attempted Suicides: Antonioni's Singularities
Star Anonymous: Donatella Marrosu, Anna Magnani
Chapter 3 Celebrity Reenactment, Biopic and the Mortal Body
Her Own Story
Bazin's Cinemythographies
Cinema's Existential Arena
Torero Replicants
Mexican ciné-verdad, Carlos Velo, Hugo Butler, Zavattini
Chapter 4 A Sort of Psychodrama: Verité Moments 58-61
Role-play: the Real in Balance
Provisional Closure: Reflexivity and Death in The Human Pyramid
Chronicle of a summer (1960-1) as Autocritique (1958)
A "Nascent" register: Group Dynamics and the Worker
Chapter 5 Ascetic Stages: Reenactment in post-holocaust cinema
Pedovision: ritual, wandering words
Marceline Loridan, Testimony with (out) an "I"
Splitting: Oumarou Ganda's Solo
Karski's Report of a report
Filming and Re-filming: Phatic reenactment
Ascetic Stages, next
Chapter 6 Trial Stages: Rithy Panh's Para-juridical theatre
Solo Routines: the Critical valence of Alienation
Paintings, desks, files and faces: Reflexive Platforms
S21's Judicial surrounding
Para-juridical Scenarios and the confessional imperative
Chapter 7 Reenactment and A-filiation in Serras da Desordem
When is Carapiru?
Twenty Years Later: Brazilian films on "first" and on recurrent contact
Leading to Serras
The Actor as Agent: Carapiru, Pereio, Tonacci
A-Filiation
Disrupted Transmission
Conclusion- Senseless Mimesis
Select Bibliography
