With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving imageâ s material base.
With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving imageâ s material base.
Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.
Inhaltsangabe
Indefinite Visions: Cinema and the Attractions of Uncertainty * Martine Beugnet - Introduction Illuminations * Jacques Aumont - The Veiled Image: The Luminous Formless * Richard Misek - The Black Screen * Tom Gunning - Flicker and Shutter: Exploring Cinema's Shuddering Shadow Definitions * Martin Jay - Genres of Blur * Giusy Pisano - In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances * Erika Balsom - 100 Years of Low Definition Frames * Michel Chion - Jumps in Scale * Julian Hanich - Reflecting on Reflections: Complex Mirror Shots in Films * Christa Blümlinger - Cinematic Indeterminacy According to Peter Tscherkassky: Coming Attractions * Carol Vernallis - Baz Luhrmann's Audiovisual Sublime: Partying in The Great Gatsby Temporalities * D.N.Rodowick - The Force of Small Gestures * Kriss Ravetto-Biagioli - Bill Viola and the Cinema of Indefinite Bodily Experience * Catherine Fowler - Slow Looking: Confronting Moving Images with Didi-Huberman Materialities * Kim Knowles - (Re)visioning Celluloid: Aesthetics of Contact in Materialist Film * Emmanuelle André - Seeing through the Fingertips * Raymond Bellour - Homo Animalis Kino Glitches * Sean Cubitt - Temporalities of the Glitch: Déjà Vu * Steven Shaviro - The Glitch Dimension: Paranormal Activity and the Technologies of Vision * Allan Cameron - Facing the Glitch: Abstraction, Abjection and the Digital Image
Indefinite Visions: Cinema and the Attractions of Uncertainty * Martine Beugnet - Introduction Illuminations * Jacques Aumont - The Veiled Image: The Luminous Formless * Richard Misek - The Black Screen * Tom Gunning - Flicker and Shutter: Exploring Cinema's Shuddering Shadow Definitions * Martin Jay - Genres of Blur * Giusy Pisano - In Praise of the Sound Dissolve: Evanescences, Uncertainties, Fusions, Resonances * Erika Balsom - 100 Years of Low Definition Frames * Michel Chion - Jumps in Scale * Julian Hanich - Reflecting on Reflections: Complex Mirror Shots in Films * Christa Blümlinger - Cinematic Indeterminacy According to Peter Tscherkassky: Coming Attractions * Carol Vernallis - Baz Luhrmann's Audiovisual Sublime: Partying in The Great Gatsby Temporalities * D.N.Rodowick - The Force of Small Gestures * Kriss Ravetto-Biagioli - Bill Viola and the Cinema of Indefinite Bodily Experience * Catherine Fowler - Slow Looking: Confronting Moving Images with Didi-Huberman Materialities * Kim Knowles - (Re)visioning Celluloid: Aesthetics of Contact in Materialist Film * Emmanuelle André - Seeing through the Fingertips * Raymond Bellour - Homo Animalis Kino Glitches * Sean Cubitt - Temporalities of the Glitch: Déjà Vu * Steven Shaviro - The Glitch Dimension: Paranormal Activity and the Technologies of Vision * Allan Cameron - Facing the Glitch: Abstraction, Abjection and the Digital Image
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