Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, as well as social media.
Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, as well as social media.
Subhajit Chatterjee is Assistant Professor, Department of Film Studies, Jadavpur University, Kolkata. Ratheesh Radhakrishnan teaches literature and film at the Department of Humanities and Social Sciences, Indian Institute of Technology, Mumbai. S.V. Srinivas is Professor at the School of Arts and Sciences, Azim Premji University, Bengaluru. Omita Goyal is Chief Editor, IIC Quarterly, Journal of the India International Centre, New Delhi.
Inhaltsangabe
Editorial. Foreword. 1. Introduction 2. Cinema in a Capitalist Republic (In the Making) 3. Is it Post-Cinema? 4. Cynical Realism and the Immobility of the Contemporary 5. 'It Needs to be More Like a Hindi Film': Dubbing Hollywood in India 6. Digital Horror in Hindi Cinema 7. Towards Standardisation: Notes on the Indian SVOD Production Apparatus 8. Where is Cinema? COVID-19 and Shifts in India's Cinemascape 9. Amplification as Pandemic Effect: Single Screens in Telugu Country 10. The #MeToo Movement in the Indian Film Industries: Bringing Sexual Exploitation into Focus 11. Mirzapur 12. Masculinity in Transit: Remaking Male Stardom in Turn-of-the-Millennium Bengali Cinema 13. The Grounds of Cinema: 'Geo'politics and 'Geo'aesthetics in Documentaries of India's Northeast 14. A Change of Address with Filmfare Middle East 15. The Absent Fullness of 'Not-Yet Cinema' 16. Films in Progress 17. Aspirational Cinema: Circuits of Cinephilia, Amateur Films and Local Film Festivals 18. Happy Together: Cinema's Collective Futures 19. Archive 'Stories': Indian Film Memorabilia in the Age of New Media Public 20. Through Charulata's Opera Glass: Re-viewing the Cinema-Effect 21. Filmic Afterlives: Considerations on the Uncanny
Editorial. Foreword. 1. Introduction 2. Cinema in a Capitalist Republic (In the Making) 3. Is it Post-Cinema? 4. Cynical Realism and the Immobility of the Contemporary 5. 'It Needs to be More Like a Hindi Film': Dubbing Hollywood in India 6. Digital Horror in Hindi Cinema 7. Towards Standardisation: Notes on the Indian SVOD Production Apparatus 8. Where is Cinema? COVID-19 and Shifts in India's Cinemascape 9. Amplification as Pandemic Effect: Single Screens in Telugu Country 10. The #MeToo Movement in the Indian Film Industries: Bringing Sexual Exploitation into Focus 11. Mirzapur 12. Masculinity in Transit: Remaking Male Stardom in Turn-of-the-Millennium Bengali Cinema 13. The Grounds of Cinema: 'Geo'politics and 'Geo'aesthetics in Documentaries of India's Northeast 14. A Change of Address with Filmfare Middle East 15. The Absent Fullness of 'Not-Yet Cinema' 16. Films in Progress 17. Aspirational Cinema: Circuits of Cinephilia, Amateur Films and Local Film Festivals 18. Happy Together: Cinema's Collective Futures 19. Archive 'Stories': Indian Film Memorabilia in the Age of New Media Public 20. Through Charulata's Opera Glass: Re-viewing the Cinema-Effect 21. Filmic Afterlives: Considerations on the Uncanny
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