Indigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices. Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous…mehr
Indigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices. Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous cultural politics in the country known as Canada, looking in particular at Indigenous representation in media arts. Chapters feature roundtable discussions, interviews, film analyses, resurgent media explorations, visual culture advocacy and place-based practices of creative expression. Eclectic in scope and diverse in perspective, Indigenous Media Arts in Canada is unified by an ethic of conciliation, collaboration, and cultural resistance. Engaging deftly and thoughtfully with instances of cultural appropriation as well as the oppressive structures that seek to erode narrative sovereignty, this collection shines as a crucial gathering of thoughtful critique, cultural kinship, and creative counterpower.
Dana Claxton is an acclaimed artist and filmmaker. Her practice investigates indigenous beauty, the socio-political and spiritual. She mentors indigenous youth, emerging artists and filmmakers. She is Head and Professor in the Department of Art History, Visual Art and Theory with the University of British Columbia. Ezra Winton is Assistant Professor, Communication Studies (Precarious/Visiting) at Concordia University. His writing, teaching, research and curatorial practice engage in representational politics, screen ethics and media curation/circulation. He is currently finishing his monograph on Hot Docs, Buying in to Doing Good (MQUP).
Inhaltsangabe
1. Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts – Edited by Dana Claxton and Ezra Winton 2. Contributor Bios 3. Introduction: Seeing, Knowing, Lifting – Dana Claxton and Ezra Winton 4. Part I – Decolonizing Media Arts Institutions 5. Part I Introduction – Dana Claxton and Ezra Winton 6. 1. Our Own Up There: A Discussion at imagineNATIVE – Danis Goulet and Tasha Hubbard with Jesse Wente, Alethea Arnaquq-Baril and Shane Belcourt 7. 2. And Speaking of the North: A Conversation between Ezra Winton and Alethea Arnaquq-Baril 8. 3. Sights of Homecoming: Zacharias Kunuk’s Festival Performance of Angirattut Claudia Sicondolfo 9. Part II – Protecting Culture 10. Part II Introduction – Dana Claxton and Ezra Winton 11. 4. Addressing Colonial Trauma Through Mi’kmaw Film – Margaret Robinson and Bretten Hannam 12. 5. Not Reconciled, Repairing Justice: The Legacy of Films on Canadian Residential Schools – Brenda Longfellow 13. 6. Indigenous Women in Québec Cinema: From Alanis Obomsawin’s Mother of Many Children to Michel Poulette’s Maïna – Karine Bertrand 14. 7. “Our Circle Is Always Open”: Indigenous Voices, Children’s Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin Joanna Hearne 15. Part III – Methods/Practices/Knowledges/Interventions 16. Part III Introduction Dana Claxton and Ezra Winton 17. 8. Indigenous Documentary Methodologies: ChiPaChiMoWin / Telling Stories – Jules Arita Koostachin 18. 9. Due North: Contemporary Indigenous Media and Ecological Knowledge – Michelle Stewart 19. 10. Marking and Mapping Out Embodied Practices of Indigenous Women Media Artists – Julie Nagam and Carla Taunton 20. 11. Speaking Outside: Collaboration as Strategic Intervention Toby Katrine Lawrence 21. Part IV - Resurgent Media and its Allies 22. Part IV Introduction - Knowledge as Territory: A Note to the Settler Academy – Sasha Crawford-Holland and Lindsay LeBlanc 23. 12. “Making Things Our [Digital] Own”: Sovereignty in Indigenous Computational Art – Sasha Crawford-Holland and Lindsay LeBlanc 24. 13. Careful Images: Unsettling Testimony in the Gladue Video Project – Eugenia Kisin and Lisa Jackson 25. Conclusions We Are Only Beginning – Dana Claxton and Ezra Winton 26. Final Thoughts: Setting the Record Straight –Lisa Jackson 27. Index – Makers and Thinkers 28. Contributors 29. Alethea Arnaquq-Baril 30. Shane Belcourt 31. Karine Bertrand 32. Dana Claxton 33. Sasha Crawford-Holland 34. Danis Goulet 35. Bretten Hannam 36. Joanna Hearne 37. Tasha Hubbard 38. Lisa Jackson 39. Eugenia Kisin 40. Jules Arita Koostachin 41. Toby Katrine Lawrence 42. Lindsay LeBlanc 43. Brenda Longfellow 44. Julie Nagam 45. Margaret Robinson 46. Claudia Sicondolfo 47. Michelle Stewart 48. Carla Taunton 49. Jesse Wente 50. Ezra Winton
1. Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts – Edited by Dana Claxton and Ezra Winton 2. Contributor Bios 3. Introduction: Seeing, Knowing, Lifting – Dana Claxton and Ezra Winton 4. Part I – Decolonizing Media Arts Institutions 5. Part I Introduction – Dana Claxton and Ezra Winton 6. 1. Our Own Up There: A Discussion at imagineNATIVE – Danis Goulet and Tasha Hubbard with Jesse Wente, Alethea Arnaquq-Baril and Shane Belcourt 7. 2. And Speaking of the North: A Conversation between Ezra Winton and Alethea Arnaquq-Baril 8. 3. Sights of Homecoming: Zacharias Kunuk’s Festival Performance of Angirattut Claudia Sicondolfo 9. Part II – Protecting Culture 10. Part II Introduction – Dana Claxton and Ezra Winton 11. 4. Addressing Colonial Trauma Through Mi’kmaw Film – Margaret Robinson and Bretten Hannam 12. 5. Not Reconciled, Repairing Justice: The Legacy of Films on Canadian Residential Schools – Brenda Longfellow 13. 6. Indigenous Women in Québec Cinema: From Alanis Obomsawin’s Mother of Many Children to Michel Poulette’s Maïna – Karine Bertrand 14. 7. “Our Circle Is Always Open”: Indigenous Voices, Children’s Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin Joanna Hearne 15. Part III – Methods/Practices/Knowledges/Interventions 16. Part III Introduction Dana Claxton and Ezra Winton 17. 8. Indigenous Documentary Methodologies: ChiPaChiMoWin / Telling Stories – Jules Arita Koostachin 18. 9. Due North: Contemporary Indigenous Media and Ecological Knowledge – Michelle Stewart 19. 10. Marking and Mapping Out Embodied Practices of Indigenous Women Media Artists – Julie Nagam and Carla Taunton 20. 11. Speaking Outside: Collaboration as Strategic Intervention Toby Katrine Lawrence 21. Part IV - Resurgent Media and its Allies 22. Part IV Introduction - Knowledge as Territory: A Note to the Settler Academy – Sasha Crawford-Holland and Lindsay LeBlanc 23. 12. “Making Things Our [Digital] Own”: Sovereignty in Indigenous Computational Art – Sasha Crawford-Holland and Lindsay LeBlanc 24. 13. Careful Images: Unsettling Testimony in the Gladue Video Project – Eugenia Kisin and Lisa Jackson 25. Conclusions We Are Only Beginning – Dana Claxton and Ezra Winton 26. Final Thoughts: Setting the Record Straight –Lisa Jackson 27. Index – Makers and Thinkers 28. Contributors 29. Alethea Arnaquq-Baril 30. Shane Belcourt 31. Karine Bertrand 32. Dana Claxton 33. Sasha Crawford-Holland 34. Danis Goulet 35. Bretten Hannam 36. Joanna Hearne 37. Tasha Hubbard 38. Lisa Jackson 39. Eugenia Kisin 40. Jules Arita Koostachin 41. Toby Katrine Lawrence 42. Lindsay LeBlanc 43. Brenda Longfellow 44. Julie Nagam 45. Margaret Robinson 46. Claudia Sicondolfo 47. Michelle Stewart 48. Carla Taunton 49. Jesse Wente 50. Ezra Winton
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