Inglorious Artists - Desplanque, Kathryn
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Inglorious Artists studies how artists used graphic satire as a vehicle to criticize the emergence of a free market for art in the eighteenth and nineteenth centuries. The starving or inglorious artist was the protagonist of their imagery. This data-driven study explores the evolving trope of the inglorious artist, his antagonists, and his environment through an exploration of 532 printed satirical images.

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Produktbeschreibung
Inglorious Artists studies how artists used graphic satire as a vehicle to criticize the emergence of a free market for art in the eighteenth and nineteenth centuries. The starving or inglorious artist was the protagonist of their imagery. This data-driven study explores the evolving trope of the inglorious artist, his antagonists, and his environment through an exploration of 532 printed satirical images.
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Autorenporträt
Kathryn Desplanque is an assistant professor of eighteenth- and nineteenth-Century European art in the Department of Art and Art History at the University of North Carolina at Chapel Hill. Her work specializes in eighteenth- and nineteenth-century European visual culture, particularly French and English imagery. She has authored numerous book chapters and has published articles in such journals as Eighteenth-Century Studies, Biblio 17: Voyages, rencontres, échanges au XVIIe siècle, and The Art Bulletin . Her current book project, Papermania, charts the growing popularity of scrap sheets and scrapbooking across France, England, and North America during the late eighteenth and nineteenth centuries.