"In the Beginning was Napoleon"--"Napoleon and no end": Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present.
"In the Beginning was Napoleon"--"Napoleon and no end": Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction Seán Allan and Jeffrey L. High Part I. Napoleon: Art, Literature, and Occupation 1: Prelude-Pre-Occupation Bonaparte: Historical and Literary Conquerors in Schiller's Life, Thought, and Works Jeffrey L. High 2: Schiller's Johanna and Collin's Bianca as Women('s)-Liberators in Anti-Napoleonic Drama Rebecca Stewart 3: Friedrich Hölderlin, the French Revolution, and Napoleon: Politics, Poetry, Philosophy Laura Anna Macor 4: The Anecdote on the Battlefield: Napoleon-Kleist-Kluge Christian Moser 5: "Der große Schauspieler, Napoleon Buonaparte": August von Kotzebue's Antitheatrical Politics Elystan Griffiths 6: An Ingenious Tyrant: The Representation of Napoleon Bonaparte by German Women Writers Elisabeth Krimmer 7: Icons of Resistance: Kleist, Le Musée Napoléon, and Queen Luise of Prussia Seán Allan Part II. Napoleon: Political Science and Natural Science 8: The European Machine God: The Image of Napoleon Bonaparte in the Political Writings of Jean Paul Helmut J. Schneider 9: Saul Ascher's Napoleon Bernd Fischer 10: Napoleon's Campaigns: Models for "French" Revolutionary Science Abroad and at Home? Mary Orr 11: Napoleonic Occupation and the Militarization of the Sciences: The Case of Johannes Scherr and the Zurich Polytechnic Andrew Cusack Part III. Inspiration Bonaparte: German Receptions from Vormärz to the Present 12: "We are all possessed!" Napoleon and Inspiration in German Naturalist Drama Michael White 13: Arnold Schoenberg's Setting of Byron's Ode to Napoleon: Fighting Hitler's Regime in Byron's and Beethoven's Wake Wolf Kittler 14: The Emperor's Clothes: Napoleon as a Screen Icon Susanne Kord Notes on the Contributors Index
Acknowledgments Introduction Seán Allan and Jeffrey L. High Part I. Napoleon: Art, Literature, and Occupation 1: Prelude-Pre-Occupation Bonaparte: Historical and Literary Conquerors in Schiller's Life, Thought, and Works Jeffrey L. High 2: Schiller's Johanna and Collin's Bianca as Women('s)-Liberators in Anti-Napoleonic Drama Rebecca Stewart 3: Friedrich Hölderlin, the French Revolution, and Napoleon: Politics, Poetry, Philosophy Laura Anna Macor 4: The Anecdote on the Battlefield: Napoleon-Kleist-Kluge Christian Moser 5: "Der große Schauspieler, Napoleon Buonaparte": August von Kotzebue's Antitheatrical Politics Elystan Griffiths 6: An Ingenious Tyrant: The Representation of Napoleon Bonaparte by German Women Writers Elisabeth Krimmer 7: Icons of Resistance: Kleist, Le Musée Napoléon, and Queen Luise of Prussia Seán Allan Part II. Napoleon: Political Science and Natural Science 8: The European Machine God: The Image of Napoleon Bonaparte in the Political Writings of Jean Paul Helmut J. Schneider 9: Saul Ascher's Napoleon Bernd Fischer 10: Napoleon's Campaigns: Models for "French" Revolutionary Science Abroad and at Home? Mary Orr 11: Napoleonic Occupation and the Militarization of the Sciences: The Case of Johannes Scherr and the Zurich Polytechnic Andrew Cusack Part III. Inspiration Bonaparte: German Receptions from Vormärz to the Present 12: "We are all possessed!" Napoleon and Inspiration in German Naturalist Drama Michael White 13: Arnold Schoenberg's Setting of Byron's Ode to Napoleon: Fighting Hitler's Regime in Byron's and Beethoven's Wake Wolf Kittler 14: The Emperor's Clothes: Napoleon as a Screen Icon Susanne Kord Notes on the Contributors Index
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