"In the Beginning was Napoleon"--"Napoleon and no end": Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present.
"In the Beginning was Napoleon"--"Napoleon and no end": Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present.
Acknowledgments Introduction Seán Allan and Jeffrey L. High Part I. Napoleon: Art, Literature, and Occupation 1: Prelude-Pre-Occupation Bonaparte: Historical and Literary Conquerors in Schiller's Life, Thought, and Works Jeffrey L. High 2: Schiller's Johanna and Collin's Bianca as Women('s)-Liberators in Anti-Napoleonic Drama Rebecca Stewart 3: Friedrich Hölderlin, the French Revolution, and Napoleon: Politics, Poetry, Philosophy Laura Anna Macor 4: The Anecdote on the Battlefield: Napoleon-Kleist-Kluge Christian Moser 5: "Der große Schauspieler, Napoleon Buonaparte": August von Kotzebue's Antitheatrical Politics Elystan Griffiths 6: An Ingenious Tyrant: The Representation of Napoleon Bonaparte by German Women Writers Elisabeth Krimmer 7: Icons of Resistance: Kleist, Le Musée Napoléon, and Queen Luise of Prussia Seán Allan Part II. Napoleon: Political Science and Natural Science 8: The European Machine God: The Image of Napoleon Bonaparte in the Political Writings of Jean Paul Helmut J. Schneider 9: Saul Ascher's Napoleon Bernd Fischer 10: Napoleon's Campaigns: Models for "French" Revolutionary Science Abroad and at Home? Mary Orr 11: Napoleonic Occupation and the Militarization of the Sciences: The Case of Johannes Scherr and the Zurich Polytechnic Andrew Cusack Part III. Inspiration Bonaparte: German Receptions from Vormärz to the Present 12: "We are all possessed!" Napoleon and Inspiration in German Naturalist Drama Michael White 13: Arnold Schoenberg's Setting of Byron's Ode to Napoleon: Fighting Hitler's Regime in Byron's and Beethoven's Wake Wolf Kittler 14: The Emperor's Clothes: Napoleon as a Screen Icon Susanne Kord Notes on the Contributors Index
Acknowledgments Introduction Seán Allan and Jeffrey L. High Part I. Napoleon: Art, Literature, and Occupation 1: Prelude-Pre-Occupation Bonaparte: Historical and Literary Conquerors in Schiller's Life, Thought, and Works Jeffrey L. High 2: Schiller's Johanna and Collin's Bianca as Women('s)-Liberators in Anti-Napoleonic Drama Rebecca Stewart 3: Friedrich Hölderlin, the French Revolution, and Napoleon: Politics, Poetry, Philosophy Laura Anna Macor 4: The Anecdote on the Battlefield: Napoleon-Kleist-Kluge Christian Moser 5: "Der große Schauspieler, Napoleon Buonaparte": August von Kotzebue's Antitheatrical Politics Elystan Griffiths 6: An Ingenious Tyrant: The Representation of Napoleon Bonaparte by German Women Writers Elisabeth Krimmer 7: Icons of Resistance: Kleist, Le Musée Napoléon, and Queen Luise of Prussia Seán Allan Part II. Napoleon: Political Science and Natural Science 8: The European Machine God: The Image of Napoleon Bonaparte in the Political Writings of Jean Paul Helmut J. Schneider 9: Saul Ascher's Napoleon Bernd Fischer 10: Napoleon's Campaigns: Models for "French" Revolutionary Science Abroad and at Home? Mary Orr 11: Napoleonic Occupation and the Militarization of the Sciences: The Case of Johannes Scherr and the Zurich Polytechnic Andrew Cusack Part III. Inspiration Bonaparte: German Receptions from Vormärz to the Present 12: "We are all possessed!" Napoleon and Inspiration in German Naturalist Drama Michael White 13: Arnold Schoenberg's Setting of Byron's Ode to Napoleon: Fighting Hitler's Regime in Byron's and Beethoven's Wake Wolf Kittler 14: The Emperor's Clothes: Napoleon as a Screen Icon Susanne Kord Notes on the Contributors Index
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