Traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video
Traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video
Catherine Elwes is Professor of Moving Image Art at Chelsea College of Arts, University of the Arts London, and founding editor of Moving Image Review and Art Journal (MIRAJ). Elwes is the author of Video Art: A Guided Tour (2005) and Video Loupe (2000) and the founding editor of the Moving Image Review & Art Journal (MIRAJ).
Inhaltsangabe
Acknowledgements Introduction 1. Architecture 2. Painting 3. Sculpture 4. Performance 5. Film History 6. Film as Film 7. Structural Film: Detractions and Revisions 8. The Dialectics of Spectatorship 9. Expanded Cinema 10. Sound 11. Video Installation 12. Closing Thoughts Bibliography Index
Acknowledgements Introduction 1. Architecture 2. Painting 3. Sculpture 4. Performance 5. Film History 6. Film as Film 7. Structural Film: Detractions and Revisions 8. The Dialectics of Spectatorship 9. Expanded Cinema 10. Sound 11. Video Installation 12. Closing Thoughts Bibliography Index
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