Part 1 Prelude: Banging at Swords 3 Part 2 Introduction: The Absence of Presence 11 Part 3 PART ONE: PRE-PERFORMANCE- INSTANT SHAKESPEARE! Chapter 4 Know What the Words Really Mean- Dialogue 19 Chapter 5 The Histrionic Sensibility 39 Chapter 6 Whose Frog is it Anyway? 44 Chapter 7 Excercise Monologues 47 Chapter 9 Know the Rhythm and Sense of the Line- Character 63 Chapter 10 Know What the Play is About- The Central Event 78 Part 11 Interlude: More Banging at Swords: Encounters at Shakespeare's Globe, 1981-1997 95 Part 12 PART TWO: ASPECTS OF PERFORMANCE Chapter 13 Transitions from reading to Performance 107 Chapter 14 Scenes for Excercises 113 Chapter 15 Aspects of Performance: Breath and Impulse 120 Chapter 16 Aspects of Performance: A Practical Study of the Breath 128 Chapter 17 Isabella's Voice 142 Chapter 18 The Ephemeral Nature of the Theatrical Event 154 Chapter 19 A Philosophy of Training and Performance 161 Chapter 20 Presence and the Ontological Sensibility 172 Part 21 Epilogue: Still Banging at Swords- Optional Authenticity and Shakespeare's Globe, 1997-2001 187 Part 22 Acknowledgments 197 Part 23 A Note on Sources 199 Part 24 Index 203
Part 1 Prelude: Banging at Swords 3 Part 2 Introduction: The Absence of Presence 11 Part 3 PART ONE: PRE-PERFORMANCE- INSTANT SHAKESPEARE! Chapter 4 Know What the Words Really Mean- Dialogue 19 Chapter 5 The Histrionic Sensibility 39 Chapter 6 Whose Frog is it Anyway? 44 Chapter 7 Excercise Monologues 47 Chapter 9 Know the Rhythm and Sense of the Line- Character 63 Chapter 10 Know What the Play is About- The Central Event 78 Part 11 Interlude: More Banging at Swords: Encounters at Shakespeare's Globe, 1981-1997 95 Part 12 PART TWO: ASPECTS OF PERFORMANCE Chapter 13 Transitions from reading to Performance 107 Chapter 14 Scenes for Excercises 113 Chapter 15 Aspects of Performance: Breath and Impulse 120 Chapter 16 Aspects of Performance: A Practical Study of the Breath 128 Chapter 17 Isabella's Voice 142 Chapter 18 The Ephemeral Nature of the Theatrical Event 154 Chapter 19 A Philosophy of Training and Performance 161 Chapter 20 Presence and the Ontological Sensibility 172 Part 21 Epilogue: Still Banging at Swords- Optional Authenticity and Shakespeare's Globe, 1997-2001 187 Part 22 Acknowledgments 197 Part 23 A Note on Sources 199 Part 24 Index 203
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