Instrumental Music Education: Teaching with the Musical and Practical in Harmony, Third Edition, is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels.
Instrumental Music Education: Teaching with the Musical and Practical in Harmony, Third Edition, is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels.
Evan Feldman, D.M.A., is Conductor of the Wind Ensemble and Professor of Music at the University of North Carolina at Chapel Hill. Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, New York. Mitchell Lutch is a former Associate Professor of Music and Director of Bands at Central College, Pella, Iowa. Katarzyna (Kasia) Bugaj is Associate Professor of String Music Education in the College of Music at The Florida State University in Tallahassee, Florida.
Inhaltsangabe
UNIT 1: THE PROCESS OF TEACHING INSTRUMENTAL MUSIC Chapter 1: An Introduction to Sound-to-Symbol Chapter 2: Teaching Rhythm and Rhythm Reading: Audiation, Pulse, Pattern, and Meter Chapter 3: Tonality, Melody, and Singing Chapter 4: Teaching Improvisation and Composition Chapter 5: The History of Instrumental Music Education and Its Philosophy: A Brief Introduction Chapter 6: Special Topics: Constructivism, Concept Attainment, and Direct Instruction UNIT 2: DIRECTING BANDS AND ORCHESTRAS Chapter 7: Classroom Management Chapter 8: Curriculum, Assessment, and Grading Chapter 9: Repertoire Chapter 10: Score Study Chapter 11: On Conducting Technique Chapter 12: Large Ensemble Set-Up Chapter 13: Rehearsals Chapter 14: Special Topics: Inclusion-Instrumental Music for Students with Special Needs Chapter 15: Intonation Chapter 16: Directing Other Ensembles Chapter 17: Recruiting, Organizing, and Starting the Band and Orchestra Chapter 18: Sound-to-Symbol in the Beginning Instrumental Classroom Chapter 19: String Pedagogy for Non-String Players UNIT 3: ADMINISTRATIVE ISSUES Chapter 20: Planning and Managing a Concert Concert Etiquette Chapter 21: Fundraising, Promotion, and Advocacy Chapter 22: Communication Chapter 23: The Music Budget Chapter 24: Copyrights Chapter 25: Managing Sound Levels: Protecting Your Ears and Those of Your Students Chapter 26: Special Topics: Leadership, Mentors, and Professional Development Chapter 27: The Job Search and Interview Appendix: The Rehearsal Toolkit
UNIT 1: THE PROCESS OF TEACHING INSTRUMENTAL MUSIC Chapter 1: An Introduction to Sound-to-Symbol Chapter 2: Teaching Rhythm and Rhythm Reading: Audiation, Pulse, Pattern, and Meter Chapter 3: Tonality, Melody, and Singing Chapter 4: Teaching Improvisation and Composition Chapter 5: The History of Instrumental Music Education and Its Philosophy: A Brief Introduction Chapter 6: Special Topics: Constructivism, Concept Attainment, and Direct Instruction UNIT 2: DIRECTING BANDS AND ORCHESTRAS Chapter 7: Classroom Management Chapter 8: Curriculum, Assessment, and Grading Chapter 9: Repertoire Chapter 10: Score Study Chapter 11: On Conducting Technique Chapter 12: Large Ensemble Set-Up Chapter 13: Rehearsals Chapter 14: Special Topics: Inclusion-Instrumental Music for Students with Special Needs Chapter 15: Intonation Chapter 16: Directing Other Ensembles Chapter 17: Recruiting, Organizing, and Starting the Band and Orchestra Chapter 18: Sound-to-Symbol in the Beginning Instrumental Classroom Chapter 19: String Pedagogy for Non-String Players UNIT 3: ADMINISTRATIVE ISSUES Chapter 20: Planning and Managing a Concert Concert Etiquette Chapter 21: Fundraising, Promotion, and Advocacy Chapter 22: Communication Chapter 23: The Music Budget Chapter 24: Copyrights Chapter 25: Managing Sound Levels: Protecting Your Ears and Those of Your Students Chapter 26: Special Topics: Leadership, Mentors, and Professional Development Chapter 27: The Job Search and Interview Appendix: The Rehearsal Toolkit
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