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The conversation between religion and culture, drama and Christianity, needs to be ongoing. This book is a contribution to the dialogue, asking questions, pointing towards possible answers, and encouraging others to join in the conversation.
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The conversation between religion and culture, drama and Christianity, needs to be ongoing. This book is a contribution to the dialogue, asking questions, pointing towards possible answers, and encouraging others to join in the conversation.
Produktdetails
- Produktdetails
- Verlag: University Press of America
- Seitenzahl: 196
- Erscheinungstermin: 16. Mai 2009
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 293g
- ISBN-13: 9780761844693
- ISBN-10: 0761844694
- Artikelnr.: 25853325
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University Press of America
- Seitenzahl: 196
- Erscheinungstermin: 16. Mai 2009
- Englisch
- Abmessung: 229mm x 152mm x 11mm
- Gewicht: 293g
- ISBN-13: 9780761844693
- ISBN-10: 0761844694
- Artikelnr.: 25853325
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Nelvin Vos
Part 1 Preface
Part 2 Acknowledgments
Part 3 Introduction-Places of Seeing: Religion and Theater
Part 4 Part One: Drama and Religion: Their Languages
Part 5 Chapter 1-Drama: Where the Action Is
Part 6 Chapter 2-Biblical Revelation: The Mighty Acts of God
Part 7 Part Two: Drama and Religion: Their Structures
Part 8 Chapter 3- Ritual: The Act Re-Done
Part 9 Chapter 4-The Play's the Thing in Drama and Religion
Part 10 Chapter 5-Worship: The Drama Re-Enacted
Part 11 Part Three: Drama and Religion: Their History
Part 12 Chapter 6-Dionysus: Lord of the Greek Theater
Part 13 Chapter 7-Religion and Drama in Opposition: Two Instances
Part 14 Chapter 8-The Medieval Stage: The Inherent Drama in the Mass
Part 15 Chapter 9-From Liturgy to the Plays of Mystery, Miracle and
Morality
Part 16 Chapter 10-Shakespeare: All the World's a Stage
Part 17 Chapter 11- Modern Drama: If the Stage is All the World There Is
Part 18 Chapter 12-Contemporary Drama: Glimpses of the Transcendent
Part 19 Chapter 13-Contemporary Theater: T.S. Eliot, The Cocktail Party
Part 20 Chapter 14-Contemporary Theater: Samuel Beckett, Endgame
Part 21 Chapter 15-Contemporary Theater: Tom Stoppard, Rosencrantz and
Guildenstern Are Dead
Part 22 Chapter 16-Contemporary Theater: Peter Shaffer, Equus
Part 23 Chapter 17-Contemporary Theater: David Mamet, Glengarry Glen Ross
Part 24 Chapter 18-Contemporary Theater: Tony Kushner Angels in America
Part 25 Chapter 19-Contemporary Theater: Mary Zimmerman, Metamorphoses
Part 26 Coda-Life is a Drama!
Part 2 Acknowledgments
Part 3 Introduction-Places of Seeing: Religion and Theater
Part 4 Part One: Drama and Religion: Their Languages
Part 5 Chapter 1-Drama: Where the Action Is
Part 6 Chapter 2-Biblical Revelation: The Mighty Acts of God
Part 7 Part Two: Drama and Religion: Their Structures
Part 8 Chapter 3- Ritual: The Act Re-Done
Part 9 Chapter 4-The Play's the Thing in Drama and Religion
Part 10 Chapter 5-Worship: The Drama Re-Enacted
Part 11 Part Three: Drama and Religion: Their History
Part 12 Chapter 6-Dionysus: Lord of the Greek Theater
Part 13 Chapter 7-Religion and Drama in Opposition: Two Instances
Part 14 Chapter 8-The Medieval Stage: The Inherent Drama in the Mass
Part 15 Chapter 9-From Liturgy to the Plays of Mystery, Miracle and
Morality
Part 16 Chapter 10-Shakespeare: All the World's a Stage
Part 17 Chapter 11- Modern Drama: If the Stage is All the World There Is
Part 18 Chapter 12-Contemporary Drama: Glimpses of the Transcendent
Part 19 Chapter 13-Contemporary Theater: T.S. Eliot, The Cocktail Party
Part 20 Chapter 14-Contemporary Theater: Samuel Beckett, Endgame
Part 21 Chapter 15-Contemporary Theater: Tom Stoppard, Rosencrantz and
Guildenstern Are Dead
Part 22 Chapter 16-Contemporary Theater: Peter Shaffer, Equus
Part 23 Chapter 17-Contemporary Theater: David Mamet, Glengarry Glen Ross
Part 24 Chapter 18-Contemporary Theater: Tony Kushner Angels in America
Part 25 Chapter 19-Contemporary Theater: Mary Zimmerman, Metamorphoses
Part 26 Coda-Life is a Drama!
Part 1 Preface
Part 2 Acknowledgments
Part 3 Introduction-Places of Seeing: Religion and Theater
Part 4 Part One: Drama and Religion: Their Languages
Part 5 Chapter 1-Drama: Where the Action Is
Part 6 Chapter 2-Biblical Revelation: The Mighty Acts of God
Part 7 Part Two: Drama and Religion: Their Structures
Part 8 Chapter 3- Ritual: The Act Re-Done
Part 9 Chapter 4-The Play's the Thing in Drama and Religion
Part 10 Chapter 5-Worship: The Drama Re-Enacted
Part 11 Part Three: Drama and Religion: Their History
Part 12 Chapter 6-Dionysus: Lord of the Greek Theater
Part 13 Chapter 7-Religion and Drama in Opposition: Two Instances
Part 14 Chapter 8-The Medieval Stage: The Inherent Drama in the Mass
Part 15 Chapter 9-From Liturgy to the Plays of Mystery, Miracle and
Morality
Part 16 Chapter 10-Shakespeare: All the World's a Stage
Part 17 Chapter 11- Modern Drama: If the Stage is All the World There Is
Part 18 Chapter 12-Contemporary Drama: Glimpses of the Transcendent
Part 19 Chapter 13-Contemporary Theater: T.S. Eliot, The Cocktail Party
Part 20 Chapter 14-Contemporary Theater: Samuel Beckett, Endgame
Part 21 Chapter 15-Contemporary Theater: Tom Stoppard, Rosencrantz and
Guildenstern Are Dead
Part 22 Chapter 16-Contemporary Theater: Peter Shaffer, Equus
Part 23 Chapter 17-Contemporary Theater: David Mamet, Glengarry Glen Ross
Part 24 Chapter 18-Contemporary Theater: Tony Kushner Angels in America
Part 25 Chapter 19-Contemporary Theater: Mary Zimmerman, Metamorphoses
Part 26 Coda-Life is a Drama!
Part 2 Acknowledgments
Part 3 Introduction-Places of Seeing: Religion and Theater
Part 4 Part One: Drama and Religion: Their Languages
Part 5 Chapter 1-Drama: Where the Action Is
Part 6 Chapter 2-Biblical Revelation: The Mighty Acts of God
Part 7 Part Two: Drama and Religion: Their Structures
Part 8 Chapter 3- Ritual: The Act Re-Done
Part 9 Chapter 4-The Play's the Thing in Drama and Religion
Part 10 Chapter 5-Worship: The Drama Re-Enacted
Part 11 Part Three: Drama and Religion: Their History
Part 12 Chapter 6-Dionysus: Lord of the Greek Theater
Part 13 Chapter 7-Religion and Drama in Opposition: Two Instances
Part 14 Chapter 8-The Medieval Stage: The Inherent Drama in the Mass
Part 15 Chapter 9-From Liturgy to the Plays of Mystery, Miracle and
Morality
Part 16 Chapter 10-Shakespeare: All the World's a Stage
Part 17 Chapter 11- Modern Drama: If the Stage is All the World There Is
Part 18 Chapter 12-Contemporary Drama: Glimpses of the Transcendent
Part 19 Chapter 13-Contemporary Theater: T.S. Eliot, The Cocktail Party
Part 20 Chapter 14-Contemporary Theater: Samuel Beckett, Endgame
Part 21 Chapter 15-Contemporary Theater: Tom Stoppard, Rosencrantz and
Guildenstern Are Dead
Part 22 Chapter 16-Contemporary Theater: Peter Shaffer, Equus
Part 23 Chapter 17-Contemporary Theater: David Mamet, Glengarry Glen Ross
Part 24 Chapter 18-Contemporary Theater: Tony Kushner Angels in America
Part 25 Chapter 19-Contemporary Theater: Mary Zimmerman, Metamorphoses
Part 26 Coda-Life is a Drama!







