This book explores the intricate relationship between copyright law and internet meme culture, challenging an assumption that copyright is a barrier to digital creativity. It will be of interest to researchers in the field of copyright law, the law of emerging technologies and intellectual property law.
This book explores the intricate relationship between copyright law and internet meme culture, challenging an assumption that copyright is a barrier to digital creativity. It will be of interest to researchers in the field of copyright law, the law of emerging technologies and intellectual property law.
Brian Chun Lok Leung is a legal academic and practitioner. He lectures in intellectual property law at University College London (UCL) and Queen Mary University of London (QMUL) and has been elected as an associate fellow of the Higher Education Academy. He also works at international law firms in London, doing trade mark, customs, and online brand enforcement work. Alongside these roles, he has been a tutor for the EUIPO Pan-European Seal Programme, a researcher for Copinger and Skone James on Copyright (19th Edition), and the Editor-in-Chief for the Queen Mary Law Journal (QMLJ). Brian holds a Bachelor of Laws degree from University of Birmingham; a Master of Laws in IP from UCL; and a Master of Science in Law, Business, and Management as part of vocational training to qualify as a solicitor in England and Wales. Brian earned his Doctor of Philosophy in IP law from QMUL.
Inhaltsangabe
Acknowledgements List of Abbreviations and Acronyms Introduction 1. The Dynamic Notions of Internet Meme Culture 2. The Memes Have Spoken: A New Social Practice 3. Copyright, Memetic Creativity, and the Meme Pool 4. Copyright Uncertainties and Enforcement Tensions 5. Copyright Should Facilitate Internet Meme Culture 6. Reconciling with Memetic Creativity 7. Non-Exclusive Rights of Underlying Work 8. User-Creators and Their Rights 9. A Delicate Dance with Intermediaries 10. Roads to Reconciliation Conclusion Index
Acknowledgements List of Abbreviations and Acronyms Introduction 1. The Dynamic Notions of Internet Meme Culture 2. The Memes Have Spoken: A New Social Practice 3. Copyright, Memetic Creativity, and the Meme Pool 4. Copyright Uncertainties and Enforcement Tensions 5. Copyright Should Facilitate Internet Meme Culture 6. Reconciling with Memetic Creativity 7. Non-Exclusive Rights of Underlying Work 8. User-Creators and Their Rights 9. A Delicate Dance with Intermediaries 10. Roads to Reconciliation Conclusion Index
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