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Introduction to Documentary Production is designed for students who are approaching documentary production for the first time. The book is written in an accessible style by media staff at the University of Portsmouth, UK, all of whom have backgrounds in media production or journalism. The book covers the making of documentaries from concept through production to post-production and includes close readings of documentary makers' intent and target audiences.
Table of contents:
Structure and Script
Narrativity and Intent in Documentary Production
Audiences and
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Produktbeschreibung
Introduction to Documentary Production is designed for students who are approaching documentary production for the first time. The book is written in an accessible style by media staff at the University of Portsmouth, UK, all of whom have backgrounds in media production or journalism. The book covers the making of documentaries from concept through production to post-production and includes close readings of documentary makers' intent and target audiences.

Table of contents:
Structure and Script
Narrativity and Intent in Documentary Production
Audiences and Documentary
Production Management
Documentary Cinematography
Creative Sound
Digital Technology and Programme-Making
Editing in Non-Fiction and Documentary Film

Introduction to Documentary Production is designed for students who are approaching documentary production for the first time. The book is written in an accessible style by media staff at the University of Portsmouth, UK, all of whom have backgrounds in media production or journalism. The book covers the making of documentaries from concept through production to post-production and includes close readings of documentary makers' intent and target audiences.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Searle Kochberg is course leader of the BA Moving Image program at the University of Portsmouth. His fellow contributors are colleagues at the University of Portsmouth with industry portfolios as follows: Jane Young (director), Damian Toal (editor), Janice Kearns (production manager), Ron Geesin (composer), Colin Denahy (technical manager), William Garrison (director), Marie Womack (journalist).