Jean-Baptiste Lully and the Music of the French Baroque
Essays in Honor of James R. Anthony
Herausgeber: Heyer, John Hajdu
Jean-Baptiste Lully and the Music of the French Baroque
Essays in Honor of James R. Anthony
Herausgeber: Heyer, John Hajdu
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Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.
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Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 244mm x 170mm x 19mm
- Gewicht: 601g
- ISBN-13: 9780521081962
- ISBN-10: 0521081963
- Artikelnr.: 24765099
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 244mm x 170mm x 19mm
- Gewicht: 601g
- ISBN-13: 9780521081962
- ISBN-10: 0521081963
- Artikelnr.: 24765099
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
1. Introduction Paul Henry Lang; 2. The first opera in Paris: a study in
the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully:
the stakes of a collaboration Catherine Massif; 4. Chronology and evolution
of the grand motet at the court of Louis XFV evidence from the Livres du
Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5.
The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on
Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's
orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical
vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of
Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical
spread of Lully's operas during the late seventeenth and early eighteenth
centuries: new evidence from the Burets Carl B. Schmidt; 11. How
eighteenth-century Parisians heard Lully's operas: the case of Armide's
fourth act Lois Rosow; 12. La Mariee: the history of a French court dance
Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings
Graham Sadler; 14. A musician's view of the French baroque after the advent
of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth
C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman
Smith.
the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully:
the stakes of a collaboration Catherine Massif; 4. Chronology and evolution
of the grand motet at the court of Louis XFV evidence from the Livres du
Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5.
The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on
Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's
orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical
vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of
Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical
spread of Lully's operas during the late seventeenth and early eighteenth
centuries: new evidence from the Burets Carl B. Schmidt; 11. How
eighteenth-century Parisians heard Lully's operas: the case of Armide's
fourth act Lois Rosow; 12. La Mariee: the history of a French court dance
Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings
Graham Sadler; 14. A musician's view of the French baroque after the advent
of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth
C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman
Smith.
1. Introduction Paul Henry Lang; 2. The first opera in Paris: a study in
the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully:
the stakes of a collaboration Catherine Massif; 4. Chronology and evolution
of the grand motet at the court of Louis XFV evidence from the Livres du
Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5.
The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on
Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's
orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical
vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of
Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical
spread of Lully's operas during the late seventeenth and early eighteenth
centuries: new evidence from the Burets Carl B. Schmidt; 11. How
eighteenth-century Parisians heard Lully's operas: the case of Armide's
fourth act Lois Rosow; 12. La Mariee: the history of a French court dance
Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings
Graham Sadler; 14. A musician's view of the French baroque after the advent
of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth
C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman
Smith.
the politics of art Neal Zaslaw; 3. Michel Lambert and Jean-Baptiste Lully:
the stakes of a collaboration Catherine Massif; 4. Chronology and evolution
of the grand motet at the court of Louis XFV evidence from the Livres du
Rol' and the works of Perrin, the sous-maitres and Lully Lionel Sawkins; 5.
The sources of Lully's grands motets John Hajdu Heyer; 6. Some notes on
Lully's orchestra Jerome De La Gorce; 7. The Amsterdam editions of Lully's
orchestral suites Herbert Schneider; 8. Parnassus revisited: the musical
vantage point of Titon du Tiller Julie Ann Sadie; 9. The residences of
Monsieur de Lully: a west side story Marcelle Benoit; 10. The geographical
spread of Lully's operas during the late seventeenth and early eighteenth
centuries: new evidence from the Burets Carl B. Schmidt; 11. How
eighteenth-century Parisians heard Lully's operas: the case of Armide's
fourth act Lois Rosow; 12. La Mariee: the history of a French court dance
Rebecca Harris-Warrick; 13. A re-examination of Rameau's self-borrowings
Graham Sadler; 14. A musician's view of the French baroque after the advent
of Gluck: Gretry's Les trois rages de l'opera and its context M. Elizabeth
C. Bartlet; 15. A bibliography of writings by James R. Anthony Dorman
Smith.







