Offers an analysis of the development of the jook, an underground cultural institution created by the black working class with other dance arenas in African-American culture. Presenting the effects of African slaves' middle passage experience on their traditional dances, this work traces the unique dance culture that developed in the rural South.
Offers an analysis of the development of the jook, an underground cultural institution created by the black working class with other dance arenas in African-American culture. Presenting the effects of African slaves' middle passage experience on their traditional dances, this work traces the unique dance culture that developed in the rural South.
Katrina Hazzard-Gordon is Associate Professor of Sociology at Rutgers University, Camden, and the founder and director of the Diaspora Dance Theatre and Research Group.
Inhaltsangabe
Preface Acknowledgments 1. Dancing Under the Lash The Middle Passage The Plantation Environment Bals du Cordon Bleu 2. Shoddy Confines: The Jook Continuum The Great Transition Jook Houses, Honky-Tonks, After-Hours Joints Rent Parties, Chittlin' Struts, Blue Monday Affairs 3. Upper Shadies and Urban Politics Monday Night at the Paradise Ballroom Bells, Buzzers, and Air of Legitimacy Night Clubs, Show Bars, Cabaret Parties Dancin' in the Streets Black Elite Affairs Postscript Notes Index
Preface Acknowledgments 1. Dancing Under the Lash The Middle Passage The Plantation Environment Bals du Cordon Bleu 2. Shoddy Confines: The Jook Continuum The Great Transition Jook Houses, Honky-Tonks, After-Hours Joints Rent Parties, Chittlin' Struts, Blue Monday Affairs 3. Upper Shadies and Urban Politics Monday Night at the Paradise Ballroom Bells, Buzzers, and Air of Legitimacy Night Clubs, Show Bars, Cabaret Parties Dancin' in the Streets Black Elite Affairs Postscript Notes Index
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