Drawing on the works of Shakespeare and American screenwriter Joss Whedon, this study in narrative ethics contends that Whedon is the Shakespeare of our time. The Bard wrote before the influence of the modern moral philosophers, while Whedon is writing in the postmodern period. It is argued that Whedon's work is more in harmony with the early modern values of Shakespeare than with modern ethics, which trace their origin to 17th and 18th-century moral philosophy.
Drawing on the works of Shakespeare and American screenwriter Joss Whedon, this study in narrative ethics contends that Whedon is the Shakespeare of our time. The Bard wrote before the influence of the modern moral philosophers, while Whedon is writing in the postmodern period. It is argued that Whedon's work is more in harmony with the early modern values of Shakespeare than with modern ethics, which trace their origin to 17th and 18th-century moral philosophy.
J. Douglas Rabb is a professor emeritus of philosophy at Lakehead University in Thunder Bay, Ontario, Canada, and an executive member of the Centre for Health Care Ethics, also at Lakehead University.
Inhaltsangabe
Table of Contents Acknowledgments Foreword by Kim Fedderson Introduction One-Joss Whedon, the Shakespeare for Our Time Two-Shakespeare's Brain and Whedon's Brains: Cognitive Theory in Narrative and Ethics Three-Joss Whedon's "Big Brain": The Espenson Authorship Controversy Four-Shakespeare and Popular Culture: Uses and Echos of the Bard in the Whedonverses and Ours as Well Five-Persons, Personation and Character Development: The Transformative Nature of Narrative Six-The Moral Imagination in Shakespeare: Pre-Modern and Early Modern Ethics Seven-The Moral Imagination in Whedon: Post-Modern and Post-Christian Love Ethics Eight-Reason and Rules in Ethics: The Parfit Pathology Conclusion: Narrative Ethics in Action Works Cited Index
Table of Contents Acknowledgments Foreword by Kim Fedderson Introduction One-Joss Whedon, the Shakespeare for Our Time Two-Shakespeare's Brain and Whedon's Brains: Cognitive Theory in Narrative and Ethics Three-Joss Whedon's "Big Brain": The Espenson Authorship Controversy Four-Shakespeare and Popular Culture: Uses and Echos of the Bard in the Whedonverses and Ours as Well Five-Persons, Personation and Character Development: The Transformative Nature of Narrative Six-The Moral Imagination in Shakespeare: Pre-Modern and Early Modern Ethics Seven-The Moral Imagination in Whedon: Post-Modern and Post-Christian Love Ethics Eight-Reason and Rules in Ethics: The Parfit Pathology Conclusion: Narrative Ethics in Action Works Cited Index
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