Along with Louis Armstrong and Duke Ellington, Lillian "Lil" Hardin (1898-1971) was arguably the third most crucial figure in the creation of popular jazz. Born in Memphis, with strong roots in Mississippi, Lil was, by her early twenties the most sought-after jazz pianist in Chicago, playing first with Freddie Keppard's watershed Creole Jazz Band and later with King Oliver's world-famous Creole Jazz Band. She was already well established in Chicago as a pianist, composer, arranger, and bandleader before she met and married Louis Armstrong (1898-1971) in 1924. Beyond her musical contributions…mehr
Along with Louis Armstrong and Duke Ellington, Lillian "Lil" Hardin (1898-1971) was arguably the third most crucial figure in the creation of popular jazz. Born in Memphis, with strong roots in Mississippi, Lil was, by her early twenties the most sought-after jazz pianist in Chicago, playing first with Freddie Keppard's watershed Creole Jazz Band and later with King Oliver's world-famous Creole Jazz Band. She was already well established in Chicago as a pianist, composer, arranger, and bandleader before she met and married Louis Armstrong (1898-1971) in 1924. Beyond her musical contributions to Louis as a songwriter, arranger, and pianist, Lil launched, guided and promoted his solo career. Her tireless efforts and musical craftsmanship (she was the only one in Louis's band who could read music) made possible his now legendary Hot Fives and Hot Sevens recordings. Later, after she divorced Louis in 1938, she established her own successful solo career. In 1931, in Harlem, she spearheaded the first all-female jazz band. Over the years, Ray Charles, Willie Nelson, Billie Holiday, Ringo Starr, Peggy Lee and others recorded her songs.
After a career as a journalist for three Pulitzer Prize winning dailies, James L. Dickerson began a career as a full-time author. His book Mojo Triangle: Birthplace of Country, Blues, Jazz and Rock 'n' Roll was awarded a first place award from Independent Publishers, and two music-related books, Goin' Back to Memphis and That's Alright, Elvis, co-written with Elvis Presley's first guitarist, Scotty Moore, were finalists for the prestigious Gleason award. He co-wrote a second book with Moore titled Scotty & Elvis. Additionally, he wrote one of the first music histories that dealt with the women's revolution in the music industry, Women on Top.
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