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The monograph explores the artistic images of Kazakhstan and Kazakhstani people in the national feature films of the Soviet and modern periods. The peculiarities of the epoch and mentality of people reflected on the screen are studied. In parallel, the process of origin, formation and development of cinematography of Kazakhstan as a kind of national art is described. The monograph is of theoretical and practical interest, contains useful materials and illustrations. The study uses the method of studying films as historical sources.

Produktbeschreibung
The monograph explores the artistic images of Kazakhstan and Kazakhstani people in the national feature films of the Soviet and modern periods. The peculiarities of the epoch and mentality of people reflected on the screen are studied. In parallel, the process of origin, formation and development of cinematography of Kazakhstan as a kind of national art is described. The monograph is of theoretical and practical interest, contains useful materials and illustrations. The study uses the method of studying films as historical sources.
Autorenporträt
Yerden Yernazarovich Ibraev (1981), laureato in Scienze Storiche, frequenta i corsi di Storia mondiale e Storia del Kazakistan presso l'Università statale di Kostanay intitolata a A. Baitursynov. La sfera degli interessi scientifici - l'influenza dei processi culturali sul corso e sul carattere dello sviluppo storico degli Stati e dei popoli.