Tracing the development of horror entertainment since the late 18th century, this study argues that scientific discovery, technological progress, and knowledge in general have played an unparalleled role in influencing the evolution of horror. Throughout its many subgenres (biological horror, cosmic horror and others) and formats (film, literature, comics), horror records humanity's uneasy relationship with its own ability to reason, understand, and learn. The text first outlines a loose framework defining several distinct periods in horror development, then explores each period sequentially…mehr
Tracing the development of horror entertainment since the late 18th century, this study argues that scientific discovery, technological progress, and knowledge in general have played an unparalleled role in influencing the evolution of horror. Throughout its many subgenres (biological horror, cosmic horror and others) and formats (film, literature, comics), horror records humanity's uneasy relationship with its own ability to reason, understand, and learn. The text first outlines a loose framework defining several distinct periods in horror development, then explores each period sequentially by looking at the scientific and cultural background of the period, its expression in horror literature, and its expression in horror visual and performing arts.
Jason Colavito is also a frequent contributor to Skeptic magazine, and has earned praise from Archaeology magazine for his archaeology writing. He lives in Delmar, New York and can be found online at www.JasonColavito.com.
Inhaltsangabe
Table of Contents Preface Introduction: From Prometheus to Faust Part I. Darkness and Enlightenment: The Gothic and Its Aftermath (c. 1750-c. 1845) 1. Science and Society 2. Literary Developments 3. Horror in the Arts Part II. Between God and Beast: Biological Horror (c. 1815-c. 1900) 4. Science and Society 5. Literary Developments 6. Horror in the Arts Part III. The Ghost in the Machine: Spiritualist Horror (c. 1865-c. 1920) 7. Science and Society 8. Literary Developments 9. Horror in the Arts Part IV. Terror from Outside: Cosmic Horror (c. 1895-c. 1945) 10. Science and Society 11. Literary Developments 12. Horror in the Arts Part V. The Age of Alienation: Psycho-Atomic Horror (c. 1940-c. 1975) 13. Science and Society 14. Literary Developments 15. Horror in the Arts Part VI. The Human Machine: Body Horror (c. 1965-c. 2000) 16. Science and Society 17. Literary Developments 18. Horror in the Arts Part VII. A Failure of Free Will: The Horror of Helplessness (c. 1990-present) 19. Science and Society 20. Literary Developments 21. Horror in the Arts Conclusion Appendix: Does War Make Horror Movies? Chapter Notes Selected Bibliography Index
Table of Contents Preface Introduction: From Prometheus to Faust Part I. Darkness and Enlightenment: The Gothic and Its Aftermath (c. 1750-c. 1845) 1. Science and Society 2. Literary Developments 3. Horror in the Arts Part II. Between God and Beast: Biological Horror (c. 1815-c. 1900) 4. Science and Society 5. Literary Developments 6. Horror in the Arts Part III. The Ghost in the Machine: Spiritualist Horror (c. 1865-c. 1920) 7. Science and Society 8. Literary Developments 9. Horror in the Arts Part IV. Terror from Outside: Cosmic Horror (c. 1895-c. 1945) 10. Science and Society 11. Literary Developments 12. Horror in the Arts Part V. The Age of Alienation: Psycho-Atomic Horror (c. 1940-c. 1975) 13. Science and Society 14. Literary Developments 15. Horror in the Arts Part VI. The Human Machine: Body Horror (c. 1965-c. 2000) 16. Science and Society 17. Literary Developments 18. Horror in the Arts Part VII. A Failure of Free Will: The Horror of Helplessness (c. 1990-present) 19. Science and Society 20. Literary Developments 21. Horror in the Arts Conclusion Appendix: Does War Make Horror Movies? Chapter Notes Selected Bibliography Index
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