Dafna Ruppin holds a PhD in Media and Performance Studies from Utrecht University, The Netherlands. Her research on the exhibition, consumption and production of early cinema in the Netherlands Indies forms part of the research project "The Nation and Its Other" funded by the Netherlands Organisation for Scientific Research (NWO).
Dafna Ruppin holds a PhD in Media and Performance Studies from Utrecht University, The Netherlands. Her research on the exhibition, consumption and production of early cinema in the Netherlands Indies forms part of the research project "The Nation and Its Other" funded by the Netherlands Organisation for Scientific Research (NWO).
Dafna Ruppin holds a PhD in Media and Performance Studies from Utrecht University, The Netherlands. Her research on the exhibition, consumption and production of early cinema in the Netherlands Indies forms part of the research project "The Nation and Its Other" funded by the Netherlands Organisation for Scientific Research (NWO).
Inhaltsangabe
Prologue Introduction 1. Trials and Tribulations of Early Traveling Shows, 1896-1898 2. The Dutch Come into the Picture 3. Komedi Bioscoop, Indische Films and the Localisation of Film 4. Surabaya: Queen City of Moving Picture Venues 5. Batavia: Capital of Chinese Cinema Venues 6. Semarang: The Battleground over the Permanent Fairground Town 7. Medan: The Making and Breaking of a Monopoly Concluding remarks Bibliography
Prologue Introduction 1. Trials and Tribulations of Early Traveling Shows, 1896-1898 2. The Dutch Come into the Picture 3. Komedi Bioscoop, Indische Films and the Localisation of Film 4. Surabaya: Queen City of Moving Picture Venues 5. Batavia: Capital of Chinese Cinema Venues 6. Semarang: The Battleground over the Permanent Fairground Town 7. Medan: The Making and Breaking of a Monopoly Concluding remarks Bibliography
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