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Jorge de Montemayor's great pastoral novel La Diana (1559), one of the fountainheads of Spanish Renaissance literature, has often been regarded as a work written merely to amuse an effete courtly world. Bruno M. Damiani argues here that, far from being simply a ""pastoral dream,"" Diana has profound socio-historical and religious dimensions, and that Montemayor's intentions in it were largely moral and instructive. The timeless, idyllic nature which forms the essence of the pastoral is, in the ca

Produktbeschreibung
Jorge de Montemayor's great pastoral novel La Diana (1559), one of the fountainheads of Spanish Renaissance literature, has often been regarded as a work written merely to amuse an effete courtly world. Bruno M. Damiani argues here that, far from being simply a ""pastoral dream,"" Diana has profound socio-historical and religious dimensions, and that Montemayor's intentions in it were largely moral and instructive. The timeless, idyllic nature which forms the essence of the pastoral is, in the ca
Autorenporträt
Bruno M. Damiani is professor of romance languages at the Catholic University of America. He is the general editor of Studia Humanitatis and a widely published authority on Spanish literature of the Renaissance.