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"Language of the Wound is Love" primarily deals with poems reflecting the pain and loss of first-generation immigrants losing their primary language while trying to fit their hyphenated identities. It highlights the fact that every wound inflicted because of gender or sexual-based discrimination, the feeling of loss and belonging of immigrant families, the pain of isolation during the pandemic, or discrimination based on gender or color, has a hunger for love. Its language is love. Love is the acceptance everyone is feverishly seeking in this topsy-turvy world, hence the title. This collection…mehr

Produktbeschreibung
"Language of the Wound is Love" primarily deals with poems reflecting the pain and loss of first-generation immigrants losing their primary language while trying to fit their hyphenated identities. It highlights the fact that every wound inflicted because of gender or sexual-based discrimination, the feeling of loss and belonging of immigrant families, the pain of isolation during the pandemic, or discrimination based on gender or color, has a hunger for love. Its language is love. Love is the acceptance everyone is feverishly seeking in this topsy-turvy world, hence the title. This collection has been divided into five sections namely "Language Lost", "Blood on Our Hands", "Every Pain Has a Story", "A Collective State of Disbelief " and "Brotherhood". The opening section "Language Lost" deals with the poems reflecting the pain and loss of first-generation immigrants losing their primary language while trying to fit their hyphenated identities. It talks about the pain deeply experienced by people of color and other minorities living in a racist and xenophobic society. The collection depicts the isolation felt by the world living their own version of realities during the pandemic and the longing effect on its social-emotional bonding. This collection highlights my journey, gives it a voice, and strengthens the fact that every wound has a language that needs love, and patience intermixed with sagacious interpretation.
Autorenporträt
Megha Sood( She/Her) is an award-winning Asian-American author, poet, editor, curator, and literary activist from New Jersey. She earned her Postgraduate Degree in Computer Application (M.C.A)and Bachelors in Computer Sciences (B.Sc.) from India.A Literary Partner with "Life in Quarantine", at Stanford University. Her literary partnership "Life in Quarantine" with Stanford University has been presented at the Open Education Global Forum 2020 and received mention in the Stanford Daily newspaper. Her works have been supported by the National League of American Pen Women, VONA, Kundiman, Dodge Foundation, and Martha Vineyard Creative Writing Institute. Her four poetry collections include the award-winning ("My Body Lives Like a Threat", FlowerSong Press, 2022) and (My Body is not an Apology", Finishing Lines Press, 2021). She was inducted as an honored listee for the 125-year-old Marquis Who's Who. A 2020 National Level Winner for the Poetry Matters Project, and a Four-Time State Level Winner for the NAMI NJ Dara Axelrod Poetry Award. Recipient of "Certificate of Excellence" from Mayor Stephen Fulop, Jersey City. Member of National League of American Pen Women (NLAPW), The Artists Forum (USA), ArtPride (NJ), and United Nations Association-US Chapter. She has also been chosen as a featured poet for the 2024 Dodge Poetry Festival. Her widely anthologized poems, essays, and other works discuss her experience as a first-generation immigrant and woman of color. Her 900+ works have been widely featured in print, online journals, public exhibits, and anthologies including the Poetry Society of New York, MS Magazine, NYPL, Pen Magazine by American Pen Women, Journal of NJ Poets, Dime Show Review, Panoplyzine, PBS American Portrait, NPR, WNYC Studio, etc and numerous universities including Stanford University, John Hopkins, Howard University, George Mason, Temple University, etc. Her poem "Deciphering the Madness" was also broadcast on WNYC-Studio Morning Edition as part of National Poetry Month in April 2022.Her co-edited anthology "The Medusa Project" and other works have been selected to be sent to the moon in 2025 in two separate rocket missions as part of the historical LunarCodex Project in collaboration with NASA/SpaceX. She lives in New Jersey with her husband and her 14-year-old son. Find her at https://linktr.ee/meghasood