"This is a ghost story. A junkie has gone to El Zapotal to die - to rent a room in this crumbling backwater, melt into one last fix, and not come back. For someone so ready to no longer be alive, though, he can't stop clinging to the past. His old dog, Kid, who he abandoned. His love, Valerie, who he introduced to drugs. There's no such thing as a good memory. El Zapotal doesn't want him either. The people aren't welcoming, the streets are empty except for strays, and he's having trouble pacing his supply. As the drugs run out, the line between what's real and what's not blurs to the point of…mehr
"This is a ghost story. A junkie has gone to El Zapotal to die - to rent a room in this crumbling backwater, melt into one last fix, and not come back. For someone so ready to no longer be alive, though, he can't stop clinging to the past. His old dog, Kid, who he abandoned. His love, Valerie, who he introduced to drugs. There's no such thing as a good memory. El Zapotal doesn't want him either. The people aren't welcoming, the streets are empty except for strays, and he's having trouble pacing his supply. As the drugs run out, the line between what's real and what's not blurs to the point of illegibility, and we're left wandering a tenderly described hinterland of despair, hunger, and regret."--
Mateo García Elizondo (Mexico City, 1987) is a screenwriter and author, and grandson of legendary Colombian author Gabriel García Márquez. His work has appeared in magazines such as Nexos, Revista Casa de las Américas, Quimera, Origami, and Cuadernos Hispanoamericanos . He has written scripts for film and graphic narrative, including the screenplay for the feature film Desierto (2015), which won the FIPRESCI prize at the Toronto International Film Festival. His debut novel, Last Date in El Zapotal, won the City of Barcelona Award for fiction written in Spanish. In 2021 he was listed by Granta magazine as one of the world's best writers in Spanish under thirty-five years of age. García Elizondo is also a celebrated actor, appearing in films such as Tótem (2023), which received rave reviews from both The Guardian and The New York Times . Robin Myers is a poet, translator, essayist, and 2023 NEA Translation Fellow. Recent translations include What Comes Back by Javier Peñalosa M.; The Brush by Eliana Hernández-Pachón; and A Whale is a Country and In Vitro, both by Isabel Zapata. Her poems have appeared in Best American Poetry, Yale Review, The Drift, Poetry London, and elsewhere; her essays, in Los Angeles Review of Books, Words Without Borders, and Latin American Literature Today .
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