In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Desmond Manderson is a professor in the ANU College of Law and College of Arts & Social Sciences at the Australian National University. He is founding Director of its Centre for Law, Arts, and the Humanities.
Inhaltsangabe
Introduction: From Visual Evidence to Visual Discourse Desmond Manderson Part I Representations. The origins of legal modernity from the 16th - 19th Centuries 1. Blindness Visible: Law, Time, and Bruegel's Justice Desmond Manderson 2. Face and Frames of Government Peter Goodrich 3. An Emblematic Representation of Law: Hogarth and the Engravers' Act Cristina S. Martinez 4. Law and the Revolutionary Motif after Jacques-Louis David Morgan Thomas 5. Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation Stefan Huygebaert 6. The Visual Force of Justice in the Making of Liberia Shane Chalmers Part II Technologies. Excesses of legal modernity in the 20th Century 7. 'You Will See My Family Became So American': Race, Citizenship and the Visual Archive Sherally Munshi 8. From Sentimentality to Sadism: Visual Genres of Asylum Seeking Honni Van Rijswijk 9. Images of Victims: The ECCC and the Cambodian Genocide Museum Maria Elander 10. The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment Connal Parsley Part III Critique: Irony and legal modernity in the 21st Century 11. T-Shirt's Guevara: The Visual Jurisprudence of the New Man Luis Gómez Romero 12. The Art of Bureaucracy: Redacted Ready-mades Katherine Biber 13. Illicit Interventions in Public Non-Spaces: Unlicensed Images Alison Young What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence Richard K. Sherwin
Introduction: From Visual Evidence to Visual Discourse Desmond Manderson Part I Representations. The origins of legal modernity from the 16th - 19th Centuries 1. Blindness Visible: Law, Time, and Bruegel's Justice Desmond Manderson 2. Face and Frames of Government Peter Goodrich 3. An Emblematic Representation of Law: Hogarth and the Engravers' Act Cristina S. Martinez 4. Law and the Revolutionary Motif after Jacques-Louis David Morgan Thomas 5. Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation Stefan Huygebaert 6. The Visual Force of Justice in the Making of Liberia Shane Chalmers Part II Technologies. Excesses of legal modernity in the 20th Century 7. 'You Will See My Family Became So American': Race, Citizenship and the Visual Archive Sherally Munshi 8. From Sentimentality to Sadism: Visual Genres of Asylum Seeking Honni Van Rijswijk 9. Images of Victims: The ECCC and the Cambodian Genocide Museum Maria Elander 10. The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment Connal Parsley Part III Critique: Irony and legal modernity in the 21st Century 11. T-Shirt's Guevara: The Visual Jurisprudence of the New Man Luis Gómez Romero 12. The Art of Bureaucracy: Redacted Ready-mades Katherine Biber 13. Illicit Interventions in Public Non-Spaces: Unlicensed Images Alison Young What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence Richard K. Sherwin
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