This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the substantial cuts made by the first editor. Michael Black gives special attention to the genesis of the book - the writing and editing process, where first Jessie Chambers and then Edward Garnett made decisive interventions that have deeply affected our view of the book. He then analyses the book in detail, dwelling on the structure as it is now revealed. Finally, he relates Sons and Lovers to Lawrence's other works, and…mehr
This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the substantial cuts made by the first editor. Michael Black gives special attention to the genesis of the book - the writing and editing process, where first Jessie Chambers and then Edward Garnett made decisive interventions that have deeply affected our view of the book. He then analyses the book in detail, dwelling on the structure as it is now revealed. Finally, he relates Sons and Lovers to Lawrence's other works, and traces the history of its receptions.
Table of contents: Chronology; 1. Genesis; 2. Form: narrative structure; 3. Form: imagery as structure; 4. The foreword; 5. Its place in literature and in Lawrence's work; Bibliography; Acknowledgements.
This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the substantial cuts made by the first editor.
This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote.
Born on September 11, 1885, in Eastwood, Nottinghamshire, England, David Herbert Lawrence was the fourth child of a coal miner and a former schoolteacher. His upbringing in a working-class family deeply influenced his literary themes, particularly the tensions between industrialization and nature. Lawrence's early education and experiences in his hometown laid the foundation for his future works.In 1912, Lawrence met Frieda Weekley, with whom he eloped to Europe, marking the beginning of his extensive travels. This period saw the creation of some of his most significant novels, including Sons and Lovers (1913) and The Rainbow (1915), which explored complex human relationships and societal constraints. His candid portrayal of sexuality and critique of industrial society often led to controversy and censorship.Despite facing persecution and public misrepresentation, Lawrence continued to produce influential works across various genres. His final novel, Lady Chatterley's Lover (1928), was notorious for its explicit content and faced numerous legal challenges. Lawrence's relentless exploration of human emotions and social norms has solidified his legacy as a pivotal figure in modernist literature.
Inhaltsangabe
Chronology 1. Genesis 2. Form: narrative structure 3. Form: imagery as structure 4. The foreword 5. Its place in literature and in Lawrence's work Bibliography Acknowledgements.
Chronology 1. Genesis 2. Form: narrative structure 3. Form: imagery as structure 4. The foreword 5. Its place in literature and in Lawrence's work Bibliography Acknowledgements.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826