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Erscheint vorauss. 16. April 2026
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Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.
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Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 240
- Erscheinungstermin: 16. April 2026
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781501384967
- ISBN-10: 1501384961
- Artikelnr.: 72550732
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 240
- Erscheinungstermin: 16. April 2026
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781501384967
- ISBN-10: 1501384961
- Artikelnr.: 72550732
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sally Faulkner is Professor of Spanish at the University of Cambridge, UK, and is a Professorial Fellow of Peterhouse. She has published widely on Spanish film and television, including The Cinema of Cecilia Bartolomé: Feminism and Francoism (2024) and A History of Spanish Film: Cinema and Society 1910-2010 (Bloomsbury Academic, 2013). She currently leads, as Principal Investigator, the research project 'Leading Women in Portuguese and Spanish Cinema and Television,1970-1980', funded by a British government Arts and Humanities Research Council Grant. Nuria Triana Toribio is Professor of Hispanic Studies at the University of Kent, UK. She is the author of Spanish Film Cultures (2016) and Spanish National Cinema (2003), co-author of The Cinema of Álex de la Iglesia (2007) and co-editor of the series 'Spanish and Latin American Filmmakers'. She is a co-investigator on the AHRC project 'Leading Women in Portuguese and Spanish Cinema and Television, 1970-1980' funded by a British government Arts and Humanities Research Council Grant.
Introduction Part I: Making Invisible, or, Why the Old Methodologies Don't
Work 1. Case Study One: Auteurism 2. Case Study Two: The Transnational
Approach 3. Case Study Three: Beyond the Mainstream to Independents, Who
Counts? Part II: Making Visible: Leading Women in Below-the-Line
Professions (and Some Above-the-Line yet Still Invisible Ones) 4.
Above-the-Line Roles 5. Below-the-Line Roles Part III: What to do with
Visibility: Recovering and Revising Key Texts of the Transition 6. TV
Series Novela (literary adaptations) 7. Esa Mujer (That Woman) 8. El
espiritu de la colmena (Spirit of the Beehive) 9. Cria cuervos (Raise
Ravens) 10. Vamanos Barbara (Let's Go, Barbara) 11. Operacion Ogro (Ogro)
12. Gary Cooper que estas en los cielos (Gary Cooper, Who Art in Heaven)
13. El crimen de Cuenca (The Cuenca Crime) 14. Pepi, Luci, Bom, y otras
chicas del monton (Pepi, Luci, Bom, and Other Girls on the Heap) 15.
Funcion de noche (Night Function) Conclusion: What to do with Visibility:
Leadership Bibliography Index
Work 1. Case Study One: Auteurism 2. Case Study Two: The Transnational
Approach 3. Case Study Three: Beyond the Mainstream to Independents, Who
Counts? Part II: Making Visible: Leading Women in Below-the-Line
Professions (and Some Above-the-Line yet Still Invisible Ones) 4.
Above-the-Line Roles 5. Below-the-Line Roles Part III: What to do with
Visibility: Recovering and Revising Key Texts of the Transition 6. TV
Series Novela (literary adaptations) 7. Esa Mujer (That Woman) 8. El
espiritu de la colmena (Spirit of the Beehive) 9. Cria cuervos (Raise
Ravens) 10. Vamanos Barbara (Let's Go, Barbara) 11. Operacion Ogro (Ogro)
12. Gary Cooper que estas en los cielos (Gary Cooper, Who Art in Heaven)
13. El crimen de Cuenca (The Cuenca Crime) 14. Pepi, Luci, Bom, y otras
chicas del monton (Pepi, Luci, Bom, and Other Girls on the Heap) 15.
Funcion de noche (Night Function) Conclusion: What to do with Visibility:
Leadership Bibliography Index
Introduction Part I: Making Invisible, or, Why the Old Methodologies Don't
Work 1. Case Study One: Auteurism 2. Case Study Two: The Transnational
Approach 3. Case Study Three: Beyond the Mainstream to Independents, Who
Counts? Part II: Making Visible: Leading Women in Below-the-Line
Professions (and Some Above-the-Line yet Still Invisible Ones) 4.
Above-the-Line Roles 5. Below-the-Line Roles Part III: What to do with
Visibility: Recovering and Revising Key Texts of the Transition 6. TV
Series Novela (literary adaptations) 7. Esa Mujer (That Woman) 8. El
espiritu de la colmena (Spirit of the Beehive) 9. Cria cuervos (Raise
Ravens) 10. Vamanos Barbara (Let's Go, Barbara) 11. Operacion Ogro (Ogro)
12. Gary Cooper que estas en los cielos (Gary Cooper, Who Art in Heaven)
13. El crimen de Cuenca (The Cuenca Crime) 14. Pepi, Luci, Bom, y otras
chicas del monton (Pepi, Luci, Bom, and Other Girls on the Heap) 15.
Funcion de noche (Night Function) Conclusion: What to do with Visibility:
Leadership Bibliography Index
Work 1. Case Study One: Auteurism 2. Case Study Two: The Transnational
Approach 3. Case Study Three: Beyond the Mainstream to Independents, Who
Counts? Part II: Making Visible: Leading Women in Below-the-Line
Professions (and Some Above-the-Line yet Still Invisible Ones) 4.
Above-the-Line Roles 5. Below-the-Line Roles Part III: What to do with
Visibility: Recovering and Revising Key Texts of the Transition 6. TV
Series Novela (literary adaptations) 7. Esa Mujer (That Woman) 8. El
espiritu de la colmena (Spirit of the Beehive) 9. Cria cuervos (Raise
Ravens) 10. Vamanos Barbara (Let's Go, Barbara) 11. Operacion Ogro (Ogro)
12. Gary Cooper que estas en los cielos (Gary Cooper, Who Art in Heaven)
13. El crimen de Cuenca (The Cuenca Crime) 14. Pepi, Luci, Bom, y otras
chicas del monton (Pepi, Luci, Bom, and Other Girls on the Heap) 15.
Funcion de noche (Night Function) Conclusion: What to do with Visibility:
Leadership Bibliography Index