Legacies of the Past
Memory and Trauma in Mexican Visual and Screen Cultures
Herausgeber: Haddu, Miriam; Thornton, Niamh
Legacies of the Past
Memory and Trauma in Mexican Visual and Screen Cultures
Herausgeber: Haddu, Miriam; Thornton, Niamh
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This collection analyses the audio-visual representations of several heightened events in Mexican history.
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This collection analyses the audio-visual representations of several heightened events in Mexican history.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 200
- Erscheinungstermin: 15. Dezember 2020
- Englisch
- Abmessung: 190mm x 240mm x 23mm
- Gewicht: 446g
- ISBN-13: 9781474480536
- ISBN-10: 1474480535
- Artikelnr.: 59919868
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Edinburgh University Press
- Seitenzahl: 200
- Erscheinungstermin: 15. Dezember 2020
- Englisch
- Abmessung: 190mm x 240mm x 23mm
- Gewicht: 446g
- ISBN-13: 9781474480536
- ISBN-10: 1474480535
- Artikelnr.: 59919868
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Dr Niamh Thornton is Reader in Latin American Studies at the University of Liverpool. Dr Miriam Haddu is Senior Lecturer in Latin American Studies at Royal Holloway, University of London
List of Figures; Acknowledgements; Introduction: Legacies of the Past:
Memory and Trauma in Mexican Visual and Screen Culture, Niamh Thornton;
CHAPTER ONE On the Commemoration of Mexico '68: Los agachados de Rius,
número especial de los cocolazos de julio-agosto-septiembre y octubre quién
sabe si tambor..., Chris Harris; CHAPTER TWO 1976 and 1968: Felipe Cazals
and Servando González Grapple with the Aftermath and the Archive, Niamh
Thornton; CHAPTER THREE Spectres of Mexico's 'Dirty Wars: Gendered Haunting
and the Legacy of Women's Armed Resistance in Mexican Documentary Film,
Viviana MacManus; CHAPTER FOUR Stages for an Assassination: Roles of
Cinematic Landscape in Jorge Fons' El atentado (2010) and Carlos Bolado's
Colosio: el asesinato (2012), Maximiliano Maza-Pérez; CHAPTER FIVE Aliens
as Superheroes: Science Fiction, Immigration and the Photography of Dulce
Pinzón, Catherine Leen; CHAPTER SIX #YoSoy132 as a Continuation of the 1968
Legacy, Jessica Wax-Edwards; CHAPTER SEVEN Loss and Mourning in
Documentary: Tatiana Huezo's Ausencias (2015), Miriam Haddu; CHAPTER EIGHT
Teresa Margolles' Work with Space: Ruins, Resonances and the Echo of the
Absent, Julia Banwell; Notes on the Contributors
Memory and Trauma in Mexican Visual and Screen Culture, Niamh Thornton;
CHAPTER ONE On the Commemoration of Mexico '68: Los agachados de Rius,
número especial de los cocolazos de julio-agosto-septiembre y octubre quién
sabe si tambor..., Chris Harris; CHAPTER TWO 1976 and 1968: Felipe Cazals
and Servando González Grapple with the Aftermath and the Archive, Niamh
Thornton; CHAPTER THREE Spectres of Mexico's 'Dirty Wars: Gendered Haunting
and the Legacy of Women's Armed Resistance in Mexican Documentary Film,
Viviana MacManus; CHAPTER FOUR Stages for an Assassination: Roles of
Cinematic Landscape in Jorge Fons' El atentado (2010) and Carlos Bolado's
Colosio: el asesinato (2012), Maximiliano Maza-Pérez; CHAPTER FIVE Aliens
as Superheroes: Science Fiction, Immigration and the Photography of Dulce
Pinzón, Catherine Leen; CHAPTER SIX #YoSoy132 as a Continuation of the 1968
Legacy, Jessica Wax-Edwards; CHAPTER SEVEN Loss and Mourning in
Documentary: Tatiana Huezo's Ausencias (2015), Miriam Haddu; CHAPTER EIGHT
Teresa Margolles' Work with Space: Ruins, Resonances and the Echo of the
Absent, Julia Banwell; Notes on the Contributors
List of Figures; Acknowledgements; Introduction: Legacies of the Past:
Memory and Trauma in Mexican Visual and Screen Culture, Niamh Thornton;
CHAPTER ONE On the Commemoration of Mexico '68: Los agachados de Rius,
número especial de los cocolazos de julio-agosto-septiembre y octubre quién
sabe si tambor..., Chris Harris; CHAPTER TWO 1976 and 1968: Felipe Cazals
and Servando González Grapple with the Aftermath and the Archive, Niamh
Thornton; CHAPTER THREE Spectres of Mexico's 'Dirty Wars: Gendered Haunting
and the Legacy of Women's Armed Resistance in Mexican Documentary Film,
Viviana MacManus; CHAPTER FOUR Stages for an Assassination: Roles of
Cinematic Landscape in Jorge Fons' El atentado (2010) and Carlos Bolado's
Colosio: el asesinato (2012), Maximiliano Maza-Pérez; CHAPTER FIVE Aliens
as Superheroes: Science Fiction, Immigration and the Photography of Dulce
Pinzón, Catherine Leen; CHAPTER SIX #YoSoy132 as a Continuation of the 1968
Legacy, Jessica Wax-Edwards; CHAPTER SEVEN Loss and Mourning in
Documentary: Tatiana Huezo's Ausencias (2015), Miriam Haddu; CHAPTER EIGHT
Teresa Margolles' Work with Space: Ruins, Resonances and the Echo of the
Absent, Julia Banwell; Notes on the Contributors
Memory and Trauma in Mexican Visual and Screen Culture, Niamh Thornton;
CHAPTER ONE On the Commemoration of Mexico '68: Los agachados de Rius,
número especial de los cocolazos de julio-agosto-septiembre y octubre quién
sabe si tambor..., Chris Harris; CHAPTER TWO 1976 and 1968: Felipe Cazals
and Servando González Grapple with the Aftermath and the Archive, Niamh
Thornton; CHAPTER THREE Spectres of Mexico's 'Dirty Wars: Gendered Haunting
and the Legacy of Women's Armed Resistance in Mexican Documentary Film,
Viviana MacManus; CHAPTER FOUR Stages for an Assassination: Roles of
Cinematic Landscape in Jorge Fons' El atentado (2010) and Carlos Bolado's
Colosio: el asesinato (2012), Maximiliano Maza-Pérez; CHAPTER FIVE Aliens
as Superheroes: Science Fiction, Immigration and the Photography of Dulce
Pinzón, Catherine Leen; CHAPTER SIX #YoSoy132 as a Continuation of the 1968
Legacy, Jessica Wax-Edwards; CHAPTER SEVEN Loss and Mourning in
Documentary: Tatiana Huezo's Ausencias (2015), Miriam Haddu; CHAPTER EIGHT
Teresa Margolles' Work with Space: Ruins, Resonances and the Echo of the
Absent, Julia Banwell; Notes on the Contributors







