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The task was challenging, especially given the often-pronounced similarities in the clays used and the forms produced. Beyond this technical aspect, which includes body types, slips, shapes, typologies, motifs, and decorative styles, our research stands out for its diachronic approach. This approach reveals the historical factors-both economic and political-that contributed to the the appearance, development, and extinction of these workshops. Additionally, our study of the ceramic rejects from the eight workshops, the subject of this work, revealed a spatial distribution from east to west,…mehr

Produktbeschreibung
The task was challenging, especially given the often-pronounced similarities in the clays used and the forms produced. Beyond this technical aspect, which includes body types, slips, shapes, typologies, motifs, and decorative styles, our research stands out for its diachronic approach. This approach reveals the historical factors-both economic and political-that contributed to the the appearance, development, and extinction of these workshops. Additionally, our study of the ceramic rejects from the eight workshops, the subject of this work, revealed a spatial distribution from east to west, with a designated catchment area for each production center and a categorical distribution of types. Chronologically, our findings revealed a synchronisation in the emergence and decline of these workshops and identifying a peak period of activity and production.
Autorenporträt
An academic and teacher-researcher, formerly at the University of Sfax and currently with the University of Kairouan (Tunisia), Mongi Nasr holds a Ph.D. in Ancient History and Archaeology from the University of Aix-Marseille I. Specializing in Roman-period ceramics, he has produced a body of research that includes approximately fifteen articles focused on ceramic production in the Byzacena workshops of southwest Tunisia.