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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Huysmans, Joris-Karl ; Paris, 5 février 1848 - Paris, 12 mai 1907. Né d'un père néerlandais, lithographe issu d'une longue lignée de peintres, et d'une mère française, institutrice, Charles-Georges Huysmans trouva très vite sa voie au carrefour de l'art et de la littérature. Romancier, critique d'art, ami de Zola, des Goncourt, il adhère au naturalisme, qu'il délaissera pour le symbolisme et l'esthétique décadente fin de siècle qui marquera son style. De la même manière, après avoir exploré en curieux les méandres de l'occultisme et de la magie noire, il reviendra à un catholicisme orthodoxe et affirmé. Décédé encore jeune d'un cancer, il laissa une oeuvre aussi foisonnante que le fut sa vie.
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