It draws together cognitive film theory and avant-garde film theory. It is written in an intentionally accessible way. Particular films are analysed which haven't been explored elsewhere. It also features (I think) the most detailed analysis of Robert Breer's aesthetic to date. Themes that have been mentioned in passing in texts on experimental film (such as narrative, memory, visual perception and synaesthesia) are addressed directly in detail.
It draws together cognitive film theory and avant-garde film theory. It is written in an intentionally accessible way. Particular films are analysed which haven't been explored elsewhere. It also features (I think) the most detailed analysis of Robert Breer's aesthetic to date. Themes that have been mentioned in passing in texts on experimental film (such as narrative, memory, visual perception and synaesthesia) are addressed directly in detail.
Paul Taberham is Associate Professor in Animation Studies at the Arts University Bournemouth. He is the coeditor of Cognitive Media Theory (2014) and The New Experimental Animation: From Analogue to Digital (2018). Paul has appeared on radio, spoken internationally at conferences, and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction PART I: COGNITION Chapter 1. The Specter of Narrative Chapter 2. Ghost Films of the Avant-Garde PART II: VISUAL PERCEPTION Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage Chapter 4. Robert Breer and the Dialectic of Eye and Camera PART III: AUDIO-VISUAL PERCEPTION Chapter 5. Synaesthetic Film Reconsidered Chapter 6. Three Dimensions of Visual Music Conclusion Bibliography
List of Illustrations Acknowledgements Introduction PART I: COGNITION Chapter 1. The Specter of Narrative Chapter 2. Ghost Films of the Avant-Garde PART II: VISUAL PERCEPTION Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage Chapter 4. Robert Breer and the Dialectic of Eye and Camera PART III: AUDIO-VISUAL PERCEPTION Chapter 5. Synaesthetic Film Reconsidered Chapter 6. Three Dimensions of Visual Music Conclusion Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826