27,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
14 °P sammeln
  • Broschiertes Buch

In his essay "The Fantastic Imagination", George MacDonald insisted, "I do not write for children, but for the childlike, whether of five, or fifty, or seventy-five." Some stories contrast the experience of children with the world of adults, like Diamond in At the Back of the North Wind. Other times, his characters are on the borderland of childhood and adulthood, that magical coming-of-age time when anything seems possible. In LITTLE DAYLIGHT, a teenage prince and princess are learning about life and themselves. By a wicked fairy's curse, the princess must sleep during the day and be awake at…mehr

Produktbeschreibung
In his essay "The Fantastic Imagination", George MacDonald insisted, "I do not write for children, but for the childlike, whether of five, or fifty, or seventy-five." Some stories contrast the experience of children with the world of adults, like Diamond in At the Back of the North Wind. Other times, his characters are on the borderland of childhood and adulthood, that magical coming-of-age time when anything seems possible. In LITTLE DAYLIGHT, a teenage prince and princess are learning about life and themselves. By a wicked fairy's curse, the princess must sleep during the day and be awake at night. Only the good fairies understand the truth hidden beneath the surface. The enchantment, meant for evil, will not have the last word. This edition of LITTLE DAYLIGHT includes ten color illustrations by Lucy Hough. Her artwork, combined with a preface and introduction by Michael Wilhelm, elevates the story for readers from seven to ninety-seven.
Autorenporträt
George MacDonald (1824 -1905) was a Scottish author, poet and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence".