Learn the basics of producing music with Apple's Logic Pro digital audio workstation. Since its introduction by Emagic in the 1990s, Logic software has become a favorite platform among musicians and music creators everywhere. Today's Logic Pro features an intuitive interface that is easy for beginners to learn while also offering deep functionality and robust audio and MIDI features that meet the needs of the most advanced user. Logic Pro 101 and the included online media files will guide you through the fundamentals of music production, including: Studio setup and configuration Basic Logic…mehr
Learn the basics of producing music with Apple's Logic Pro digital audio workstation. Since its introduction by Emagic in the 1990s, Logic software has become a favorite platform among musicians and music creators everywhere. Today's Logic Pro features an intuitive interface that is easy for beginners to learn while also offering deep functionality and robust audio and MIDI features that meet the needs of the most advanced user. Logic Pro 101 and the included online media files will guide you through the fundamentals of music production, including: Studio setup and configuration Basic Logic Pro controls Creating Logic Pro projects Importing and working with audio and MIDI files Recording audio and MIDI Making selections and navigating Editing audio and MIDI Working in the Live Loops Grid Basic mixing and exporting The included exercises and hands-on projects will help you put your learning into practice. Launch your journey to producing better music using a tried and tested approach that has proven successful in certification programs worldwide. Get started today with Logic Pro 101-your path to music production success!
Ryan Rey is a composer, guitarist, educator, and San Francisco native. He teaches courses in Logic Pro X, music theory, piano, and sound for picture at Pyramind; studio recording and AV technology at Diablo Valley College; and a variety of subjects online through Pyramind's Mentorship Network. Rey is currently director of the concert series Seventh Avenue Performances. He is also on the board of directors for Ninth Planet. Rey plays guitar and has composed for production music library CrimeSonics. Harry Gold is a Bay Area-based blues and jazz guitarist, pianist, arranger, and singer. He is also an audio engineer and an Avid Certified Instructor for Pro Tools and Sibelius. Gold works as an adjunct professor at Academy of Art University, where he teaches classes in Logic, Pro Tools, music production, score preparation, arranging, and composition. He also operates Fools Gold Studios in Berkeley, California.
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Acknowledgments Introduction. Welcome to Apple Logic Pro About This Book Course Prerequisites . Course Organization and Sequence The NPT Digital Media Production Program How Can I Learn More? Conventions and Symbols Used in This Book Chapter 1. Logic Pro Background The Logic Pro Digital Audio Workstation Logic Pro History and Evolution Audio Characteristics: Waveform, Frequency, and Amplitude Converting Audio to Digital Logic Pro System Configurations Shortcuts and Naming Conventions Review/Discussion Questions Exercise 1. Selecting Your Audio Production Gear Chapter 2. Getting Started with Logic Pro Target Systems Software Installation and Operation Logic Pro File Structure Starting Logic Pro The Logic Pro Menu Structure Logic Pro Windows and Views Review/Discussion Questions Exercise 2. Identifying the Primary Logic Pro Windows and Views Chapter 3. Logic Pro Basic Controls Playback in the Main Window Region Editing in the Workspace Zooming and Scrolling in the Main Window Selections and Rulers in the Main Window Quick Help Tips Review/Discussion Questions Exercise 3. Primary Tools and Controls Chapter 4. Creating Your First Project Project Chooser Creating and Configuring a Logic Pro Project Working with Tracks Controlling Playback Saving, Locating, and Opening Logic Pro Files Review/Discussion Questions Exercise 4. Creating a Project Chapter 5. Importing and Working with Media Considerations Prior to Import Import Methods Other Methods of Importing Audio Files Importing Video Review/Discussion Questions Exercise 5. Importing Audio Chapter 6. Making Your First MIDI Recording MIDI Basics MIDI in Logic Pro Setting the Base Meter and Tempo Preparing to Record MIDI Using Virtual Instruments Recording MIDI Creating and Editing MIDI Performances Review/Discussion Questions Exercise 6. Working with MIDI Chapter 7. Making Your First Audio Recording Before Recording Preparing to Record Recording and Managing Audio Organizing after Recording Review/Discussion Questions Exercise 7. Recording Audio Chapter 8. Selecting and Navigating Working with Selections in the Tracks Area Adjusting the View of Your Tracks Adjusting the Project View Organizing Your Project Using Markers for Locations and Selections Using Arrangement Markers Living in Color Submixing Workflows Using Track Stacks to Submix Review/Discussion Questions Exercise 8. Recording, Configuring, and Adding Markers to an Arrangement Chapter 9. Editing Your Media Selecting Playback Options Using the Grid, Division Value, and Snap Settings Editing Regions Flex Time and Pitch Moving and Resizing Regions Creating Fade Effects Undoing Your Work Review/Discussion Questions Exercise 9. Editing Audio Chapter 10. Mixing and Creating a Bounce Basic Mixer Terminology Working in the Mixer Using Plug-In Processors Applying Mix Automation Backing Up Your Project Creating a Stereo Mixdown Review/Discussion Questions Exercise 10. Automating Shared Effects and Exporting a Stereo Mix Final Project 1. Creating a Musical Arrangement Final Project 2. Creating a Mix
Acknowledgments Introduction. Welcome to Apple Logic Pro About This Book Course Prerequisites . Course Organization and Sequence The NPT Digital Media Production Program How Can I Learn More? Conventions and Symbols Used in This Book Chapter 1. Logic Pro Background The Logic Pro Digital Audio Workstation Logic Pro History and Evolution Audio Characteristics: Waveform, Frequency, and Amplitude Converting Audio to Digital Logic Pro System Configurations Shortcuts and Naming Conventions Review/Discussion Questions Exercise 1. Selecting Your Audio Production Gear Chapter 2. Getting Started with Logic Pro Target Systems Software Installation and Operation Logic Pro File Structure Starting Logic Pro The Logic Pro Menu Structure Logic Pro Windows and Views Review/Discussion Questions Exercise 2. Identifying the Primary Logic Pro Windows and Views Chapter 3. Logic Pro Basic Controls Playback in the Main Window Region Editing in the Workspace Zooming and Scrolling in the Main Window Selections and Rulers in the Main Window Quick Help Tips Review/Discussion Questions Exercise 3. Primary Tools and Controls Chapter 4. Creating Your First Project Project Chooser Creating and Configuring a Logic Pro Project Working with Tracks Controlling Playback Saving, Locating, and Opening Logic Pro Files Review/Discussion Questions Exercise 4. Creating a Project Chapter 5. Importing and Working with Media Considerations Prior to Import Import Methods Other Methods of Importing Audio Files Importing Video Review/Discussion Questions Exercise 5. Importing Audio Chapter 6. Making Your First MIDI Recording MIDI Basics MIDI in Logic Pro Setting the Base Meter and Tempo Preparing to Record MIDI Using Virtual Instruments Recording MIDI Creating and Editing MIDI Performances Review/Discussion Questions Exercise 6. Working with MIDI Chapter 7. Making Your First Audio Recording Before Recording Preparing to Record Recording and Managing Audio Organizing after Recording Review/Discussion Questions Exercise 7. Recording Audio Chapter 8. Selecting and Navigating Working with Selections in the Tracks Area Adjusting the View of Your Tracks Adjusting the Project View Organizing Your Project Using Markers for Locations and Selections Using Arrangement Markers Living in Color Submixing Workflows Using Track Stacks to Submix Review/Discussion Questions Exercise 8. Recording, Configuring, and Adding Markers to an Arrangement Chapter 9. Editing Your Media Selecting Playback Options Using the Grid, Division Value, and Snap Settings Editing Regions Flex Time and Pitch Moving and Resizing Regions Creating Fade Effects Undoing Your Work Review/Discussion Questions Exercise 9. Editing Audio Chapter 10. Mixing and Creating a Bounce Basic Mixer Terminology Working in the Mixer Using Plug-In Processors Applying Mix Automation Backing Up Your Project Creating a Stereo Mixdown Review/Discussion Questions Exercise 10. Automating Shared Effects and Exporting a Stereo Mix Final Project 1. Creating a Musical Arrangement Final Project 2. Creating a Mix
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