Longfellow's Imaginative Engagement is a literary biography of Henry Wadsworth Longfellow from 1861 until 1882. Using archival materials from Harvard's Houghton Library and Longfellow House-Washington's Headquarters National Historic Site, the book presents Longfellow's final two decades as a vibrant artistic period.
Longfellow's Imaginative Engagement is a literary biography of Henry Wadsworth Longfellow from 1861 until 1882. Using archival materials from Harvard's Houghton Library and Longfellow House-Washington's Headquarters National Historic Site, the book presents Longfellow's final two decades as a vibrant artistic period.
Introduction: "Out of the shadows of night / The world rolls into light" Part One: The Beginning of the Late Career, 1861-1863 Chapter 1 - Pursuing Successful Publication Because of Personal and National Tragedy Chapter 2 - Narratives of Recuperation and Loss in Tales of a Wayside Inn, the Second Day, and Part Third Part Two: Commitments through the End of the 1860s Chapter 3 - The Divine Comedy Translation: Art as Macrocosm and Microcosm Chapter 4 - Flower-de-Luce as Symbol and Search: Ideals of Completion and Unity Chapter 5 - The New England Tragedies and the Restless Yearning for Feminist Ideals Part Three: Grand Projects of the Early 1870s Chapter 6 - Anxiety about Personal Faith in Public Art: Solving the Problem of The Divine Tragedy Chapter 7 - Christianity as an Incomplete Project: Belief and Unbelief in The Divine Tragedy and Christus: A Mystery Chapter 8 - Three Books of Song and The Poets of Poetry of Europe: Continuities and Collisions of Faith Part Four: Solace and Aesthetic
Introduction: "Out of the shadows of night / The world rolls into light" Part One: The Beginning of the Late Career, 1861-1863 Chapter 1 - Pursuing Successful Publication Because of Personal and National Tragedy Chapter 2 - Narratives of Recuperation and Loss in Tales of a Wayside Inn, the Second Day, and Part Third Part Two: Commitments through the End of the 1860s Chapter 3 - The Divine Comedy Translation: Art as Macrocosm and Microcosm Chapter 4 - Flower-de-Luce as Symbol and Search: Ideals of Completion and Unity Chapter 5 - The New England Tragedies and the Restless Yearning for Feminist Ideals Part Three: Grand Projects of the Early 1870s Chapter 6 - Anxiety about Personal Faith in Public Art: Solving the Problem of The Divine Tragedy Chapter 7 - Christianity as an Incomplete Project: Belief and Unbelief in The Divine Tragedy and Christus: A Mystery Chapter 8 - Three Books of Song and The Poets of Poetry of Europe: Continuities and Collisions of Faith Part Four: Solace and Aesthetic
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