Focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions.
Focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions.
Carol Zemel is Professor Emerita of Art History and Visual Culture in the Department of Visual Arts at York University, Toronto.
Inhaltsangabe
Acknowledgments Introduction 1. Beyond the Ghetto Walls: Shtetl to Nation in Photography by Alter Kacyzne and Moshe Vorobeichic 2. Modern Artist, Modern Jew: Bruno Schulz's Diasporas 3. Z'chor! Roman Vishniac's Photo-Eulogy of Eastern European Jews 4. Difference in Diaspora: The Yiddishe Mama, the Jewish Mother, the Jewish Princess and their Men 5. Diasporic Values in Contemporary Art: Kitaj, Katchor, Frenkel Notes Bibliography Index
Acknowledgments Introduction 1. Beyond the Ghetto Walls: Shtetl to Nation in Photography by Alter Kacyzne and Moshe Vorobeichic 2. Modern Artist, Modern Jew: Bruno Schulz's Diasporas 3. Z'chor! Roman Vishniac's Photo-Eulogy of Eastern European Jews 4. Difference in Diaspora: The Yiddishe Mama, the Jewish Mother, the Jewish Princess and their Men 5. Diasporic Values in Contemporary Art: Kitaj, Katchor, Frenkel Notes Bibliography Index
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