In this collection of poetry, Luminous in the Owl's Rib, former Indiana Poet Laureate, George Kalamaras, continues his ongoing project of "seeing one in the other"-poems that explore the interface of the human and natural world. Following his Surrealist forebears, Kalamaras explores the complexity of language, with startling images and juxtapositions, as a vehicle for visionary poetics. Writing a series of poems for musicians (including some of his favorite jazz greats), along with a several elegies for poets dear to him, Kalamaras explores late-night moments of a generative solitude that…mehr
In this collection of poetry, Luminous in the Owl's Rib, former Indiana Poet Laureate, George Kalamaras, continues his ongoing project of "seeing one in the other"-poems that explore the interface of the human and natural world. Following his Surrealist forebears, Kalamaras explores the complexity of language, with startling images and juxtapositions, as a vehicle for visionary poetics. Writing a series of poems for musicians (including some of his favorite jazz greats), along with a several elegies for poets dear to him, Kalamaras explores late-night moments of a generative solitude that leave the realms of loneliness, becoming expansive and interconnected. These poems seek to connect our human impulses to the realms of the spiritual and the discursive. In the process, the poems honor the varieties of human and animal experience-mammals, marsupials, and the insect world, even probing the intelligence and "vision" that lie at the heart of molecules. The luminosity in the owl-the profundity of the numinous-Kalamaras shows us, lies inside the owl, even within the intimate space of a rib. SAMPLE: The Sound Behind Water People are always asking, Which house is this? They open a door, and my chest sprouts sparrows They close a window as an avocado dirts to seed They look for the outline of a tree in fog It is barely there, behind their water Beneath the sky Inside the grass Is a shape that moves like an eel In the marsh of your eyes I see myself struggling for sound Like a hermit who, even after years of silence, Can't forget his own name We are struck to the earth like a bar of scented soap An egret who has grown an extra leg I move hesitantly, feeling a larger portion of the world Weighing less than a ballroom without snow I float further into myself Like a clock narrowing as it leaves midnight Like a thin rug that has taken many years to weave
George Kalamaras, former Poet Laureate of Indiana (2014-2016), is Professor Emeritus of English at Purdue University Fort Wayne, where he taught for thirty-two years. He is the author of twenty-six collections of poetry-seventeen full-length books and nine chapbooks. He has also published a critical study on Western language theory and the Eastern wisdom traditions, Reclaiming the Tacit Dimension: Symbolic Form in the Rhetoric of Silence (State University of New York Press, 1994). He is the recipient of numerous grants and awards, the most recent of which is the 2024 Indiana Book Award for Poetry for his 2023 book from Dos Madres Press, To Sleep in the Horse's Belly: My Greek Poets and the Aegean Inside Me. George and his wife, writer Mary Ann Cain, have nurtured beagles in their home for thirty years, first Barney, then Bootsie, and now Blaisie. George, Mary Ann, and Blaisie have been dividing their time between Fort Wayne, Indiana, and Livermore, Colorado, in the mountains northwest of Fort Collins. They have recently completed a move and are now living full-time in Livermore, Colorado.
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