Macbeth in Modern European Culture
Herausgeber: Cerdá, Juan F; Burnett, Mark Thornton; Prescott, Paul
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Macbeth in Modern European Culture
Herausgeber: Cerdá, Juan F; Burnett, Mark Thornton; Prescott, Paul
- Gebundenes Buch
This is the first book to offer a pan-European analysis of Macbeth adaptations across a range of media in the long 20th century.
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This is the first book to offer a pan-European analysis of Macbeth adaptations across a range of media in the long 20th century.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 304
- Erscheinungstermin: 5. Februar 2026
- Englisch
- Abmessung: 216mm x 138mm x 28mm
- Gewicht: 454g
- ISBN-13: 9781350427518
- ISBN-10: 1350427519
- Artikelnr.: 74316503
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Academic
- Seitenzahl: 304
- Erscheinungstermin: 5. Februar 2026
- Englisch
- Abmessung: 216mm x 138mm x 28mm
- Gewicht: 454g
- ISBN-13: 9781350427518
- ISBN-10: 1350427519
- Artikelnr.: 74316503
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Juan F. Cerdá is Lecturer in English at the University of Murcia, Spain. Paul Prescott is Teaching Fellow in the Institute for Advanced Teaching and Learning, University of Warwick, UK.
Introduction: Adapting Macbeth in Modernity: European Rhizomes and Nomadic
War Machines (Juan F. Cerdá, University of Murcia, Spain)
Part 1: The Age of Extremes
1. Bertolt Brecht: The Three Macbeths (William C Carroll, Boston
University, USA)
2. Arendt, Jaspers, Auden: Macbeth and the Banality of Evil (Erica Sheen,
University of York, UK)
3. Macbeth in Stalin's Russia: Allusion and Performance (Natalia Khomenko,
York University, Canada)
Part 2: The Edges of Europe
4. Shakespeare at the Edge of Europe: Surveying Macbeth and Turkish Culture
(Anna Carleton Forrester, University of Georgia Press, USA)
5. Macbeth and the Catalan Independence Movement (Laura Campillo Arnaiz,
University of Murcia, Spain)
6. Dorothy Dunnett's King Hereafter (1982) and Scotland's Place in Europe
(Lisa Hopkins, Sheffield Hallam University, UK)
7. Ingmar Bergman, Macbeth and the Royal Dramatic Theatre: A Chronology of
Directors, Actors and Stories of the Death of Kings (Kiki Lindell
Tersmeden, Lund University, Sweden)
Part 3: Absurdisms and Avant-Gardes
8. Late Modern Macbeths on the Spanish Stage (2000-2020): Gendering
Scotland and Galician Regionalism (Juan F. Cerdá, Universidad de Murcia,
Spain)
9. Scenes from a Marriage: Macbeth as Domestic Drama in Czech and Slovak
Culture (Eva Kyselová, Academy of Performing Arts in Prague DAMU, Czech
Republic)
10. 'Strange matters': Silviu Purcarete's absurdist Macbett (2007, 2021)
(Nicoleta Cinpoes, University of Worcester, UK)
Part 4: Birnam Woods
11. 'Who can impress the forest': Orchestrating the Birnam Woods in the
Post-Holocaust Poetry of Roman Brandstaetter (1906-1987) (Przemyslaw Pozar,
University of Warsaw, Poland)
12. 'I look'd toward Birnam': Managing Shakespeare Heritage in Contemporary
Scotland (Toria Johnson, University of Birmingham, UK)
13. The Birnam Wood Motif in Spanish and Catalan Culture (Vanessa Palomo
Berjaga, Universitat Autònoma de Barcelona)
Part 5: Surveys and Future Directions
14. 'Had I three ears.': Macbeth on French radio (Nathalie Vienne-Guerrin,
Université de Montpellier Paul-Valéry, France)
15. Th' Usurper's Cursèd Head: Public Discourse and Politics, Macbeth's
decade on the Hungarian stages (Veronika Schandl, Pázmány Péter Catholic
University, Hungary)
16. Revision and Gender in the Memoirs of Johanne Luise Heiberg (1812-1890)
(Anne-Sophie Refskou, Aarhus University, Denmark)
17. 'Fit to govern?' Macbeth and the Vicissitudes of Its Bulgarian Stage
Life
(Boika Sokolova, University of Notre Dame, USA, and Kirilka Stavreva,
Cornell College, USA)
References
Index
War Machines (Juan F. Cerdá, University of Murcia, Spain)
Part 1: The Age of Extremes
1. Bertolt Brecht: The Three Macbeths (William C Carroll, Boston
University, USA)
2. Arendt, Jaspers, Auden: Macbeth and the Banality of Evil (Erica Sheen,
University of York, UK)
3. Macbeth in Stalin's Russia: Allusion and Performance (Natalia Khomenko,
York University, Canada)
Part 2: The Edges of Europe
4. Shakespeare at the Edge of Europe: Surveying Macbeth and Turkish Culture
(Anna Carleton Forrester, University of Georgia Press, USA)
5. Macbeth and the Catalan Independence Movement (Laura Campillo Arnaiz,
University of Murcia, Spain)
6. Dorothy Dunnett's King Hereafter (1982) and Scotland's Place in Europe
(Lisa Hopkins, Sheffield Hallam University, UK)
7. Ingmar Bergman, Macbeth and the Royal Dramatic Theatre: A Chronology of
Directors, Actors and Stories of the Death of Kings (Kiki Lindell
Tersmeden, Lund University, Sweden)
Part 3: Absurdisms and Avant-Gardes
8. Late Modern Macbeths on the Spanish Stage (2000-2020): Gendering
Scotland and Galician Regionalism (Juan F. Cerdá, Universidad de Murcia,
Spain)
9. Scenes from a Marriage: Macbeth as Domestic Drama in Czech and Slovak
Culture (Eva Kyselová, Academy of Performing Arts in Prague DAMU, Czech
Republic)
10. 'Strange matters': Silviu Purcarete's absurdist Macbett (2007, 2021)
(Nicoleta Cinpoes, University of Worcester, UK)
Part 4: Birnam Woods
11. 'Who can impress the forest': Orchestrating the Birnam Woods in the
Post-Holocaust Poetry of Roman Brandstaetter (1906-1987) (Przemyslaw Pozar,
University of Warsaw, Poland)
12. 'I look'd toward Birnam': Managing Shakespeare Heritage in Contemporary
Scotland (Toria Johnson, University of Birmingham, UK)
13. The Birnam Wood Motif in Spanish and Catalan Culture (Vanessa Palomo
Berjaga, Universitat Autònoma de Barcelona)
Part 5: Surveys and Future Directions
14. 'Had I three ears.': Macbeth on French radio (Nathalie Vienne-Guerrin,
Université de Montpellier Paul-Valéry, France)
15. Th' Usurper's Cursèd Head: Public Discourse and Politics, Macbeth's
decade on the Hungarian stages (Veronika Schandl, Pázmány Péter Catholic
University, Hungary)
16. Revision and Gender in the Memoirs of Johanne Luise Heiberg (1812-1890)
(Anne-Sophie Refskou, Aarhus University, Denmark)
17. 'Fit to govern?' Macbeth and the Vicissitudes of Its Bulgarian Stage
Life
(Boika Sokolova, University of Notre Dame, USA, and Kirilka Stavreva,
Cornell College, USA)
References
Index
Introduction: Adapting Macbeth in Modernity: European Rhizomes and Nomadic
War Machines (Juan F. Cerdá, University of Murcia, Spain)
Part 1: The Age of Extremes
1. Bertolt Brecht: The Three Macbeths (William C Carroll, Boston
University, USA)
2. Arendt, Jaspers, Auden: Macbeth and the Banality of Evil (Erica Sheen,
University of York, UK)
3. Macbeth in Stalin's Russia: Allusion and Performance (Natalia Khomenko,
York University, Canada)
Part 2: The Edges of Europe
4. Shakespeare at the Edge of Europe: Surveying Macbeth and Turkish Culture
(Anna Carleton Forrester, University of Georgia Press, USA)
5. Macbeth and the Catalan Independence Movement (Laura Campillo Arnaiz,
University of Murcia, Spain)
6. Dorothy Dunnett's King Hereafter (1982) and Scotland's Place in Europe
(Lisa Hopkins, Sheffield Hallam University, UK)
7. Ingmar Bergman, Macbeth and the Royal Dramatic Theatre: A Chronology of
Directors, Actors and Stories of the Death of Kings (Kiki Lindell
Tersmeden, Lund University, Sweden)
Part 3: Absurdisms and Avant-Gardes
8. Late Modern Macbeths on the Spanish Stage (2000-2020): Gendering
Scotland and Galician Regionalism (Juan F. Cerdá, Universidad de Murcia,
Spain)
9. Scenes from a Marriage: Macbeth as Domestic Drama in Czech and Slovak
Culture (Eva Kyselová, Academy of Performing Arts in Prague DAMU, Czech
Republic)
10. 'Strange matters': Silviu Purcarete's absurdist Macbett (2007, 2021)
(Nicoleta Cinpoes, University of Worcester, UK)
Part 4: Birnam Woods
11. 'Who can impress the forest': Orchestrating the Birnam Woods in the
Post-Holocaust Poetry of Roman Brandstaetter (1906-1987) (Przemyslaw Pozar,
University of Warsaw, Poland)
12. 'I look'd toward Birnam': Managing Shakespeare Heritage in Contemporary
Scotland (Toria Johnson, University of Birmingham, UK)
13. The Birnam Wood Motif in Spanish and Catalan Culture (Vanessa Palomo
Berjaga, Universitat Autònoma de Barcelona)
Part 5: Surveys and Future Directions
14. 'Had I three ears.': Macbeth on French radio (Nathalie Vienne-Guerrin,
Université de Montpellier Paul-Valéry, France)
15. Th' Usurper's Cursèd Head: Public Discourse and Politics, Macbeth's
decade on the Hungarian stages (Veronika Schandl, Pázmány Péter Catholic
University, Hungary)
16. Revision and Gender in the Memoirs of Johanne Luise Heiberg (1812-1890)
(Anne-Sophie Refskou, Aarhus University, Denmark)
17. 'Fit to govern?' Macbeth and the Vicissitudes of Its Bulgarian Stage
Life
(Boika Sokolova, University of Notre Dame, USA, and Kirilka Stavreva,
Cornell College, USA)
References
Index
War Machines (Juan F. Cerdá, University of Murcia, Spain)
Part 1: The Age of Extremes
1. Bertolt Brecht: The Three Macbeths (William C Carroll, Boston
University, USA)
2. Arendt, Jaspers, Auden: Macbeth and the Banality of Evil (Erica Sheen,
University of York, UK)
3. Macbeth in Stalin's Russia: Allusion and Performance (Natalia Khomenko,
York University, Canada)
Part 2: The Edges of Europe
4. Shakespeare at the Edge of Europe: Surveying Macbeth and Turkish Culture
(Anna Carleton Forrester, University of Georgia Press, USA)
5. Macbeth and the Catalan Independence Movement (Laura Campillo Arnaiz,
University of Murcia, Spain)
6. Dorothy Dunnett's King Hereafter (1982) and Scotland's Place in Europe
(Lisa Hopkins, Sheffield Hallam University, UK)
7. Ingmar Bergman, Macbeth and the Royal Dramatic Theatre: A Chronology of
Directors, Actors and Stories of the Death of Kings (Kiki Lindell
Tersmeden, Lund University, Sweden)
Part 3: Absurdisms and Avant-Gardes
8. Late Modern Macbeths on the Spanish Stage (2000-2020): Gendering
Scotland and Galician Regionalism (Juan F. Cerdá, Universidad de Murcia,
Spain)
9. Scenes from a Marriage: Macbeth as Domestic Drama in Czech and Slovak
Culture (Eva Kyselová, Academy of Performing Arts in Prague DAMU, Czech
Republic)
10. 'Strange matters': Silviu Purcarete's absurdist Macbett (2007, 2021)
(Nicoleta Cinpoes, University of Worcester, UK)
Part 4: Birnam Woods
11. 'Who can impress the forest': Orchestrating the Birnam Woods in the
Post-Holocaust Poetry of Roman Brandstaetter (1906-1987) (Przemyslaw Pozar,
University of Warsaw, Poland)
12. 'I look'd toward Birnam': Managing Shakespeare Heritage in Contemporary
Scotland (Toria Johnson, University of Birmingham, UK)
13. The Birnam Wood Motif in Spanish and Catalan Culture (Vanessa Palomo
Berjaga, Universitat Autònoma de Barcelona)
Part 5: Surveys and Future Directions
14. 'Had I three ears.': Macbeth on French radio (Nathalie Vienne-Guerrin,
Université de Montpellier Paul-Valéry, France)
15. Th' Usurper's Cursèd Head: Public Discourse and Politics, Macbeth's
decade on the Hungarian stages (Veronika Schandl, Pázmány Péter Catholic
University, Hungary)
16. Revision and Gender in the Memoirs of Johanne Luise Heiberg (1812-1890)
(Anne-Sophie Refskou, Aarhus University, Denmark)
17. 'Fit to govern?' Macbeth and the Vicissitudes of Its Bulgarian Stage
Life
(Boika Sokolova, University of Notre Dame, USA, and Kirilka Stavreva,
Cornell College, USA)
References
Index





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