Madame Gervaisais - de Goncourt, Edmond; De Goncourt, Jules
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Les frères Jules (1830-1870) et Edmond (1822-1896) Goncourt sont des écrivains français à l'origine de l'académie Goncourt. Jules se consacre en partie aux ouvrages historiques, pour finalement se tourner vers la littérature, et plus particulièrement vers le mouvement naturaliste.Ami de Tourgueniev, Gustave Flaubert, Alphonse Daudet, Émile Zola, ou encore Guy de Maupassant, Edmond anime avec son frère un salon littéraire informel tous les dimanches baptisés le « Grenier » où se réunissent notamment Maurice Barrès, Alphonse et Léon Daudet, Gustave Geffroy, Roger Marx, Octave Mirbeau, Auguste Rodin, Émile Zola.Les frères Goncourt écriront six romans en commun, dont « Germinie Lacerteux » (1864), « Manette Salomon » (1867) et « Madame Gervaisais » (1869), avant la mort de Jules des suites d'une paralysie générale progressive.