36,99 €
inkl. MwSt.
Versandkostenfrei*
Erscheint vorauss. 13. Januar 2026
payback
18 °P sammeln
  • Gebundenes Buch

Acquisitions of Italian Maiolica by the Ashmolean since 2017, making it one of the world's most important and wide-ranging collections. The Ashmolean Museum catalog Italian Maiolica and Europe (2017) included a range of works from Spain, France, the Netherlands, Germany, England, and Mexico, as well as Italy, to illustrate the rich history of European tin-glazed pottery. Since then, the Ashmolean has expanded its holdings of tin-glazed and related earthenwares to consolidate its position as one of the world’s most important and wide-ranging collections. Among the acquisitions described here is…mehr

Produktbeschreibung
Acquisitions of Italian Maiolica by the Ashmolean since 2017, making it one of the world's most important and wide-ranging collections. The Ashmolean Museum catalog Italian Maiolica and Europe (2017) included a range of works from Spain, France, the Netherlands, Germany, England, and Mexico, as well as Italy, to illustrate the rich history of European tin-glazed pottery. Since then, the Ashmolean has expanded its holdings of tin-glazed and related earthenwares to consolidate its position as one of the world’s most important and wide-ranging collections. Among the acquisitions described here is the only known piece of Italian maiolica made for a Tudor Englishman, a plate made for Humphrey Dethick, who caused a nationwide stir in 1602 by an apparent attempt to assassinate King James VI of Scotland. The bequest from Sidney Knafel of New York has transformed the Museum’s holdings of French faience; while important 16th-century maiolica comes from the collection of the late Airlie Holden-Hindley. Among the lustrewares included are fin-de-siècle pieces by Clément Massier and work by some of the world’s supreme contemporary masters of the technique.
Autorenporträt
Timothy Wilson was Keeper of Western Art in the Ashmolean Museum from 1990 and Professor of the Arts of the Renaissance in the University of Oxford. From 2013 to 2017 he was Barrie and Deedee Research Keeper in the Ashmolean. He is a specialist in the decorative arts of the European Renaissance, especially ceramics. His publications on Italian maiolica include catalogues of the collections in the British Museum (2009, with Dora Thornton), the National Gallery of Victoria, Melbourne (2015), and The Metropolitan Museum of Art, New York (2016).