In this controversial work Shaw appears to criticize Christianity and the Salvation Army. George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class. In Major Barbara a woman who has committed herself to work with the Salvation Army faces the dilemma that its support must come from the corrupt rich, a realization which shatters her faith. She finally finds a code by which she can live.…mehr
In this controversial work Shaw appears to criticize Christianity and the Salvation Army. George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class. In Major Barbara a woman who has committed herself to work with the Salvation Army faces the dilemma that its support must come from the corrupt rich, a realization which shatters her faith. She finally finds a code by which she can live.
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and its film version. Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.
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