An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others - whether old or new, print or digital - that instigates a process of continuous renewal. Critical to this process of renewal is the…mehr
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others - whether old or new, print or digital - that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
Dean Irvine is the founder and director of Agile Humanities Agency. He is the director of Editing Modernism in Canada, general editor of the Canadian Literature Collection and is an associate professor in the Department of English at Dalhousie University. Vanessa Lent holds a PhD in English from Dalhousie University and is an Instructional Assistant at the Immigrant Services Association of Nova Scotia. Bart Vautour is an assistant professor in the Department of English at Dalhousie University. He co-directs the “Canada and the Spanish Civil War” project (spanishcivilwar.ca)
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Contributors Acknowledgements Dean Irvine, Vanessa Lent, and Bart Vautour Introduction 1. Libraries, Archives, Databases, Edition Sean Latham Unpacking My Digital Library: Programs, Modernisms, Magazines Marc André Fortin Archival Problems, Future Possibilities: Reconceptualizing the Digital Database in Canada Melissa Dalgleish Editing Modules, Collecting Editions: The Present and Future of Small-Scale Digital Critical Editions Sophie Marcotte New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts J.A. Weingarten Reading the Personal Library, Rereading F.R. Scott 2. Collaborations Tanya E. Clement BaronessElsa: An Autobiographical Manifesto Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿ Digital Projects Patrick A. McCarthy and Chris Ackerley Annotating Malcolm Lowry’s In Ballast to the White Sea Michael John DiSanto Editing a Legend: George Whalley Andrea Hasenbank and EMiC UA Canadian Manifestos: Between Poetics and Polemics 3. Selective Traditions and Alternative Modernisms Peter Webb Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial Practice Gregory Betts When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant Garde Kailin Wright Bringing the Text to Life: Editing The God of Gods Tony Tremblay Landscapes of Reception: Historicizing the Travails of the New Brunswick Literary Modernists Colin Hill Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s Works Cited
Contributors Acknowledgements Dean Irvine, Vanessa Lent, and Bart Vautour Introduction 1. Libraries, Archives, Databases, Edition Sean Latham Unpacking My Digital Library: Programs, Modernisms, Magazines Marc André Fortin Archival Problems, Future Possibilities: Reconceptualizing the Digital Database in Canada Melissa Dalgleish Editing Modules, Collecting Editions: The Present and Future of Small-Scale Digital Critical Editions Sophie Marcotte New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts J.A. Weingarten Reading the Personal Library, Rereading F.R. Scott 2. Collaborations Tanya E. Clement BaronessElsa: An Autobiographical Manifesto Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿ Digital Projects Patrick A. McCarthy and Chris Ackerley Annotating Malcolm Lowry’s In Ballast to the White Sea Michael John DiSanto Editing a Legend: George Whalley Andrea Hasenbank and EMiC UA Canadian Manifestos: Between Poetics and Polemics 3. Selective Traditions and Alternative Modernisms Peter Webb Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial Practice Gregory Betts When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant Garde Kailin Wright Bringing the Text to Life: Editing The God of Gods Tony Tremblay Landscapes of Reception: Historicizing the Travails of the New Brunswick Literary Modernists Colin Hill Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s Works Cited
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