1. Introduction: Thomas Mann's Dialectics.- 2. The Female Principle in a Woman: Clavdia Chauchat.- 3. An Early View of the Male Realm: Gustave Aschenbach.- 4. Doctor Faustus: Culmination of the Male World.- 5. Male and Female in Actual Artists-Mann on Goethe and Schiller.- 6. Double Image as a Dialectical Device.- 7. Love: A Possible Synthesis.- 8. Conclusion.
1. Introduction: Thomas Mann's Dialectics.- 2. The Female Principle in a Woman: Clavdia Chauchat.- 3. An Early View of the Male Realm: Gustave Aschenbach.- 4. Doctor Faustus: Culmination of the Male World.- 5. Male and Female in Actual Artists-Mann on Goethe and Schiller.- 6. Double Image as a Dialectical Device.- 7. Love: A Possible Synthesis.- 8. Conclusion.
1. Introduction: Thomas Mann's Dialectics.- 2. The Female Principle in a Woman: Clavdia Chauchat.- 3. An Early View of the Male Realm: Gustave Aschenbach.- 4. Doctor Faustus: Culmination of the Male World.- 5. Male and Female in Actual Artists-Mann on Goethe and Schiller.- 6. Double Image as a Dialectical Device.- 7. Love: A Possible Synthesis.- 8. Conclusion.
1. Introduction: Thomas Mann's Dialectics.- 2. The Female Principle in a Woman: Clavdia Chauchat.- 3. An Early View of the Male Realm: Gustave Aschenbach.- 4. Doctor Faustus: Culmination of the Male World.- 5. Male and Female in Actual Artists-Mann on Goethe and Schiller.- 6. Double Image as a Dialectical Device.- 7. Love: A Possible Synthesis.- 8. Conclusion.
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