Mamma Andersson: Adieu Maria Magdalena - Andersson, Mamma; Knausgaard, Karl Ove
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Erscheint vorauss. 2. September 2025
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Adieu Maria Magdalena considers recurring themes and motifs from Andersson's oeuvre and suggests complex and potent feelings related to loss.  Employing trompe l'oeil, the artist produces a subtly claustrophobic effect in this domestic space by layering uncanny interior scenes taken from her own home and her imagination, an interplay of surfaces and imagery that, like other works in the exhibition, probes the nature of representation. Pulling inspiration from other Scandinavian painters including Carl Fredrik Hill and Vilhelm Hammershøi, Andersson explores the tension between interiority and…mehr

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Produktbeschreibung
Adieu Maria Magdalena considers recurring themes and motifs from Andersson's oeuvre and suggests complex and potent feelings related to loss.  Employing trompe l'oeil, the artist produces a subtly claustrophobic effect in this domestic space by layering uncanny interior scenes taken from her own home and her imagination, an interplay of surfaces and imagery that, like other works in the exhibition, probes the nature of representation. Pulling inspiration from other Scandinavian painters including Carl Fredrik Hill and Vilhelm Hammershøi, Andersson explores the tension between interiority and the external world, imbuing her compositions with a haunting stillness and introspection. Author Karl Ove Knausgaard, a longtime collaborator of Mamma Andersson, provides an accompanying text to this book, offering a personal and evocative perspective on the artist's work.
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Autorenporträt
Born 1962 in Luleå, Sweden, Mamma Andersson studied at the Royal University College of Fine Arts, Stockholm, from 1986 to 1993. She had her first museum solo exhibition in the United States at the Aspen Art Museum, Colorado, in 2010, and her first solo exhibition in Ireland at the Douglas Hyde Gallery, Dublin, in 2009. In 2006, the artist won the Carnegie Art Award, a prestigious prize for Nordic contemporary painting, which received a corresponding exhibition that traveled extensively throughout Europe. In 2007, she was the subject of a critically acclaimed mid-career survey at the Moderna Museet, Stockholm, which traveled to the Kunsthalle Helsinki and the Camden Arts Centre, London. Her work was represented in the Nordic Pavilion at the 50th Venice Biennale (2003).