. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.
. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction: Secular and Religious in Medieval Culture Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness * The Human and Divine in Harmony * 'Amours, qui bien set enchanter' (I Ch 3/RS 851) * 'Roÿne celestre' (I Ch 5/RS 956, 1903) * 'D'une amour quoie et serie' (II Ch 5/RS 1212) Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids * Thibaut in the Line of Gautier * Thibaut's Hybridized Marian Songs * 'Commencerai a fere un lai': Genre and Aesthetic Play Chapter 3: Voicing Marian Devotion in Women's Devotional Song * Songs in the Voice of Everywoman * Religious Women Voicing Marian Devotion * Mary's Voice: 'Lasse, que devendrai gié' Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta * Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism * Towards a Generative Model of Kaleidoscopic Contrafacture * Traditionalism, Innovation, and ';Retrowange novelle' * The Future of Old French Marian Song Chapter 5: Rutebeuf: Beyond the World of Marian Song * Rutebeuf's Polemical Marian Poetry * Marian Devotion Dramatized * When Mary Intercedes: 'Un dist de Nostre Dame' Conclusion: Contrafacture and Cultural Exchange Appendix of textual and musical editions of songs and poems Notes Bibliography Index
Acknowledgments Introduction: Secular and Religious in Medieval Culture Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness * The Human and Divine in Harmony * 'Amours, qui bien set enchanter' (I Ch 3/RS 851) * 'Roÿne celestre' (I Ch 5/RS 956, 1903) * 'D'une amour quoie et serie' (II Ch 5/RS 1212) Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids * Thibaut in the Line of Gautier * Thibaut's Hybridized Marian Songs * 'Commencerai a fere un lai': Genre and Aesthetic Play Chapter 3: Voicing Marian Devotion in Women's Devotional Song * Songs in the Voice of Everywoman * Religious Women Voicing Marian Devotion * Mary's Voice: 'Lasse, que devendrai gié' Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta * Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism * Towards a Generative Model of Kaleidoscopic Contrafacture * Traditionalism, Innovation, and ';Retrowange novelle' * The Future of Old French Marian Song Chapter 5: Rutebeuf: Beyond the World of Marian Song * Rutebeuf's Polemical Marian Poetry * Marian Devotion Dramatized * When Mary Intercedes: 'Un dist de Nostre Dame' Conclusion: Contrafacture and Cultural Exchange Appendix of textual and musical editions of songs and poems Notes Bibliography Index
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