An exploration of classical reception through dance, considering the particular role of Martha Graham's collaborations with Isamu Noguchi in reshaping Greek myth into a powerful feminist act.
An exploration of classical reception through dance, considering the particular role of Martha Graham's collaborations with Isamu Noguchi in reshaping Greek myth into a powerful feminist act.
Ronnie Ancona is Professor Emerita of Classics at Hunter College and the CUNY Graduate Center, USA. She is author of Time and the Erotic in Horace's Odes (1994), and co-editor of New Directions in the Study of Women in the Greco-Roman World (2021) and Gendered Dynamics in Latin Love Poetry (2005).
Inhaltsangabe
List of Figures Acknowledgments Introduction 1. The Graham-Noguchi Collaboration and its Intellectual and Artistic Context 2. Overview of Martha Graham's Greek-Influenced Dances 3. Cave of the Heart: Medea 4. Errand into the Maze: Ariadne 5. Night Journey: Jocasta 6. Clytemnestra Notes Bibliography Appendix Index
List of Figures Acknowledgments Introduction 1. The Graham-Noguchi Collaboration and its Intellectual and Artistic Context 2. Overview of Martha Graham's Greek-Influenced Dances 3. Cave of the Heart: Medea 4. Errand into the Maze: Ariadne 5. Night Journey: Jocasta 6. Clytemnestra Notes Bibliography Appendix Index
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