"Established and new scholars, publishers, printers, and artists enter into conversation exploring the work of British author Mary Butts. Taking its cue from Butts's experimental, rhythmic writing, the collection is a non-linear exchange of essays and responses. Chapters range between Butts's writing techniques and forms, her position in the modernist canon, contested sites of feminism in her work, and queer and post-critical readings. The collection looks to be a feminist engagement, while asking questions of what this might look like, why it is needed, and how such an approach offers fresh…mehr
"Established and new scholars, publishers, printers, and artists enter into conversation exploring the work of British author Mary Butts. Taking its cue from Butts's experimental, rhythmic writing, the collection is a non-linear exchange of essays and responses. Chapters range between Butts's writing techniques and forms, her position in the modernist canon, contested sites of feminism in her work, and queer and post-critical readings. The collection looks to be a feminist engagement, while asking questions of what this might look like, why it is needed, and how such an approach offers fresh insight into an erudite, playful, contradictory, and experimental body of work"--
Joel Hawkes lectures at the University of Victoria, Canada. His publications include The Collected Essays of Mary Butts (2021).
Inhaltsangabe
List of Figures Opening Art 1. Response to Mary Butts Inspired by Jean Cocteau (Lupe Núñez-Fernández) Opening Art 2. Response to Cover Art for Ashe of Rings Inspired by Salterns (Lupe Núñez-Fernández) Foreword (Danny Israel Mary Butts's grandson) Introduction Through a Series of Letters (Joel Hawkes University of Victoria Canada) Part I. Rhythms 1. (Knight's Move) Reimagined Letters and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins Artist Printer and Founder of Half Pint Press UK) - (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity University of Colorado Boulder USA) 2. (Classical) (Re)Constructions of Gender Time and Space with the Medium as Guide (Jenna Marco University of South Carolina USA) - (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri Boston University USA) 3. (Knight's Move) A Year at Salterns (Leigh Rocha Current owner of Salterns and primary school teacher UK) - (Response) A House Removed from History (Stanislava Dikova University of Edinburgh UK) Part II. Resistance 4. (Classical) Rights Property and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova University of Edinburgh UK) - (Response) "Rights Property and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert Université de Nantes France) 5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross University of Victoria Canada) - (Response) "I cannot lie" (Rosyln Reso Foy Tulane University USA) 6. (Knight's Move) Mary Butts Her Work and Papers and an Interview with Camilla Bagg (Rosyln Reso Foy Tulane University USA) - (Response) What It Means to Own a Text (Tim Hopkins Artist Printer and Founder of Half Pint Press UK) 7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert Université de Nantes France) - (Response) Mary Butts & the Motherhood Problem (Leigh Rocha Current owner of Salterns and primary school teacher UK) Part III. Recoveries 8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods ( Jane Garrity University of Colorado Boulder USA) - (Response) "Queer Devils" (Jenna Marco University of South Carolina USA) 9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson editor and publisher of McPherson & Company USA) - (Response) (Re)discovering Mary Butts (Joel Hawkes University of Victoria Canada) 10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri Boston University USA) - (Response) "Signatures of all things visible which I am here to read" ( Stephen Ross University of Victoria Canada) Afterword (Andrew Radford University of Glasgow UK) Closing Art. Response to Cover Art of Armed with Madness (Lupe Núñez-Fernández) Acknowledgments Notes on Contributors Index
List of Figures Opening Art 1. Response to Mary Butts Inspired by Jean Cocteau (Lupe Núñez-Fernández) Opening Art 2. Response to Cover Art for Ashe of Rings Inspired by Salterns (Lupe Núñez-Fernández) Foreword (Danny Israel Mary Butts's grandson) Introduction Through a Series of Letters (Joel Hawkes University of Victoria Canada) Part I. Rhythms 1. (Knight's Move) Reimagined Letters and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins Artist Printer and Founder of Half Pint Press UK) - (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity University of Colorado Boulder USA) 2. (Classical) (Re)Constructions of Gender Time and Space with the Medium as Guide (Jenna Marco University of South Carolina USA) - (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri Boston University USA) 3. (Knight's Move) A Year at Salterns (Leigh Rocha Current owner of Salterns and primary school teacher UK) - (Response) A House Removed from History (Stanislava Dikova University of Edinburgh UK) Part II. Resistance 4. (Classical) Rights Property and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova University of Edinburgh UK) - (Response) "Rights Property and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert Université de Nantes France) 5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross University of Victoria Canada) - (Response) "I cannot lie" (Rosyln Reso Foy Tulane University USA) 6. (Knight's Move) Mary Butts Her Work and Papers and an Interview with Camilla Bagg (Rosyln Reso Foy Tulane University USA) - (Response) What It Means to Own a Text (Tim Hopkins Artist Printer and Founder of Half Pint Press UK) 7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert Université de Nantes France) - (Response) Mary Butts & the Motherhood Problem (Leigh Rocha Current owner of Salterns and primary school teacher UK) Part III. Recoveries 8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods ( Jane Garrity University of Colorado Boulder USA) - (Response) "Queer Devils" (Jenna Marco University of South Carolina USA) 9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson editor and publisher of McPherson & Company USA) - (Response) (Re)discovering Mary Butts (Joel Hawkes University of Victoria Canada) 10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri Boston University USA) - (Response) "Signatures of all things visible which I am here to read" ( Stephen Ross University of Victoria Canada) Afterword (Andrew Radford University of Glasgow UK) Closing Art. Response to Cover Art of Armed with Madness (Lupe Núñez-Fernández) Acknowledgments Notes on Contributors Index
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