Originally an actress and scandalous celebrity, Mary Robinson created an identity for herself as a poet and novelist of the Romantic school. Cross argues that Robinson's dialogues shaped the nature of Romantic verse and went on to influence second-generation Romantics such as Christina Rossetti and Alfred Lord Tennyson.
Originally an actress and scandalous celebrity, Mary Robinson created an identity for herself as a poet and novelist of the Romantic school. Cross argues that Robinson's dialogues shaped the nature of Romantic verse and went on to influence second-generation Romantics such as Christina Rossetti and Alfred Lord Tennyson.
Ashley Cross is Professor of English at Manhattan College, USA.
Inhaltsangabe
Introduction: Robinson's Romantic Dialogues Prelude: "Sweet Converse": Della Cruscan Dialogues 1. Harping on Lyrical Exchange: Samuel Coleridge 2. Illegitimate Influences: Charlotte Smith 3. The Morning Post Aesthetic: Robert Southey 4. Walsingham, Caleb Williams and Queer Panic: William Godwin 5. Vindicating the Writing Woman: Mary Wollstonecraft 6. From Lyrical Ballads to Lyrical Tales: William Wordsworth 7. Resurrecting Robinson: Charlotte 8. "Sick of the same bruise": John Keats
Introduction: Robinson's Romantic Dialogues Prelude: "Sweet Converse": Della Cruscan Dialogues 1. Harping on Lyrical Exchange: Samuel Coleridge 2. Illegitimate Influences: Charlotte Smith 3. The Morning Post Aesthetic: Robert Southey 4. Walsingham, Caleb Williams and Queer Panic: William Godwin 5. Vindicating the Writing Woman: Mary Wollstonecraft 6. From Lyrical Ballads to Lyrical Tales: William Wordsworth 7. Resurrecting Robinson: Charlotte 8. "Sick of the same bruise": John Keats
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