Part I. Theoretical Frameworks: 1. Local and global perspectives in the study of social and cultural identities Tamar Hodos; 2. (Re)defining ethnicity: culture, material culture, and identity Carla M. Antonaccio; 3. Cultural diversity and unity: empire and Rome Richard Hingley; Part II. Case Studies: 4. Ingenious inventions: welding ethnicities east and west Corinna Riva; 5. Shaping Mediterranean economy and trade: Phoenician cultural identities in the Iron Age Michael Sommer; 6. Samothrace: Samo- or Thrace? Petya Ilieva; 7. The big and beautiful women of Asia: ethnic conceptions of ideal beauty in Achaemenid-period seals and gemstones Lloyd Llewellyn-Jones; 8. Unintentionally being Lucanian: dynamics beyond hybridity Elena Isayev; 9. Tricks with mirrors: remembering the dead of Noricum Shelley Hales; 10. Neutral bodies? Female portrait statue types from the Late Republic into the 2nd century CE Annetta Alexandridis; Part III. Afterword: 11. Cultural crossovers: global and local identities in the classical world David Mattingly.
Part I. Theoretical Frameworks: 1. Local and global perspectives in the study of social and cultural identities Tamar Hodos; 2. (Re)defining ethnicity: culture, material culture, and identity Carla M. Antonaccio; 3. Cultural diversity and unity: empire and Rome Richard Hingley; Part II. Case Studies: 4. Ingenious inventions: welding ethnicities east and west Corinna Riva; 5. Shaping Mediterranean economy and trade: Phoenician cultural identities in the Iron Age Michael Sommer; 6. Samothrace: Samo- or Thrace? Petya Ilieva; 7. The big and beautiful women of Asia: ethnic conceptions of ideal beauty in Achaemenid-period seals and gemstones Lloyd Llewellyn-Jones; 8. Unintentionally being Lucanian: dynamics beyond hybridity Elena Isayev; 9. Tricks with mirrors: remembering the dead of Noricum Shelley Hales; 10. Neutral bodies? Female portrait statue types from the Late Republic into the 2nd century CE Annetta Alexandridis; Part III. Afterword: 11. Cultural crossovers: global and local identities in the classical world David Mattingly.
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