This book traces the literary legacy of the War on Poverty, showing how American writers developed an anti-formalist art that dovetailed with President Lyndon Johnson's call for more client involvement in Great Society welfare programs.
This book traces the literary legacy of the War on Poverty, showing how American writers developed an anti-formalist art that dovetailed with President Lyndon Johnson's call for more client involvement in Great Society welfare programs.
Stephen Schryer is Associate Professor of English at the University of New Brunswick.
Inhaltsangabe
Introduction: Maximum Feasible Participation 1. Jack Kerouac's Delinquent Art 2. Black Arts and the Great Society 3. Legal Services and the Cockroach Revolution 4. Writing Urban Crisis after Moynihan 5. Civil Rights and the Southern Folk Aesthetic 6. Who Belongs in the University? Conclusion: Working-Class Community Action
Introduction: Maximum Feasible Participation 1. Jack Kerouac's Delinquent Art 2. Black Arts and the Great Society 3. Legal Services and the Cockroach Revolution 4. Writing Urban Crisis after Moynihan 5. Civil Rights and the Southern Folk Aesthetic 6. Who Belongs in the University? Conclusion: Working-Class Community Action
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