Launching Bloomsbury's Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge readers to re-adjust their ideas of Media Studies, by extending the understanding of "medium" to include a concept of materiality that also includes "non-human" transmitters (elements such as water, earth, fire, air) and also by understanding media not only in the context of cultural or discursive systems or apparatuses, relays, transistors, hardware or "discourse networks," but more inclusively, in terms of a "media ecology." Beginning with more general…mehr
Launching Bloomsbury's Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge readers to re-adjust their ideas of Media Studies, by extending the understanding of "medium" to include a concept of materiality that also includes "non-human" transmitters (elements such as water, earth, fire, air) and also by understanding media not only in the context of cultural or discursive systems or apparatuses, relays, transistors, hardware or "discourse networks," but more inclusively, in terms of a "media ecology." Beginning with more general essays on media and then focusing on particular themes (neuroplasticity, photography, sculpture and music), especially in relation to film, Herzogenrath and the contributors redefine the concept of "medium" in order to think through media, rather than about them.
Bernd Herzogenrath is Professor of American Studies at the University of Frankfurt, Germany.
Inhaltsangabe
Media Matter: An Introduction Bernd Herzogenrath (Goethe-University Frankfurt, Germany) Theory-Matter Chapter 1: The Meta-Physics of Media Walter Seitter (University of Applied Arts Vienna, Austria) Chapter 2: Media Matter: Materiality and Performativity in Media Theory Katerina Krtilova (Bauhaus-Universität Weimar, Germany) Text-Matter Chapter 3: Between Print Matter and Page Matter: The Codex Platform as Media Suppoort Garrett Stewart (University of Iowa, USA) Chapter 4: 'Local Color': Light in Faulkner Hanjo Berressem (University of Cologne, Germany) Film-Matter Chapter 5: Figure-Ground: Stills from the Films of Bill Morrison Bill Morrison (Hypnotic Pictures) Chapter 6: Matter that Images: Bill Morrison's Decasia Bernd Herzogenrath (Goethe-University Frankfurt, Germany) Chapter 7: Moving Images as Ontographic Images Lorenz Engell (Bauhaus-Universität Weimar, Germany) Chapter 8: Brain Matter and New Phrenologies; Challenging Brains with Melancholy and Vice Versa Benjamin Betka (Goethe-University Frankfurt, Germany) Chapter 9: The Media Boundary Objects Concept: Theorizing Film and Media Florian Hoof (Goethe-University Frankfurt, Germany) Art-Matter Chapter 10: Borderline: Nauman's Balls and Acconci's Shoot Eva Ehninger (University of Bern, Switzerland) Chapter 11: The Romantic Readymade: Towards a Material Vitalism of Contemporary Art Stephen Zepke (University of Applied Arts Vienna, Austria) Sound-Matter Chapter 12: Revisiting the Voice in Media and as Medium: New Materialist Propositions Milla Tiainen (University of Helsinki, Finland) Chapter 13: Sonic Matter: The Material Cut-Ups of Christian Marclay Sebastian Scherer (Goethe-University Frankfurt, Germany) Chapter 14: Media Disenchantments Thomas Köner (Composer, Sound-Artist, Belgrade, Serbia, and Nice, France)
Media Matter: An Introduction Bernd Herzogenrath (Goethe-University Frankfurt, Germany) Theory-Matter Chapter 1: The Meta-Physics of Media Walter Seitter (University of Applied Arts Vienna, Austria) Chapter 2: Media Matter: Materiality and Performativity in Media Theory Katerina Krtilova (Bauhaus-Universität Weimar, Germany) Text-Matter Chapter 3: Between Print Matter and Page Matter: The Codex Platform as Media Suppoort Garrett Stewart (University of Iowa, USA) Chapter 4: 'Local Color': Light in Faulkner Hanjo Berressem (University of Cologne, Germany) Film-Matter Chapter 5: Figure-Ground: Stills from the Films of Bill Morrison Bill Morrison (Hypnotic Pictures) Chapter 6: Matter that Images: Bill Morrison's Decasia Bernd Herzogenrath (Goethe-University Frankfurt, Germany) Chapter 7: Moving Images as Ontographic Images Lorenz Engell (Bauhaus-Universität Weimar, Germany) Chapter 8: Brain Matter and New Phrenologies; Challenging Brains with Melancholy and Vice Versa Benjamin Betka (Goethe-University Frankfurt, Germany) Chapter 9: The Media Boundary Objects Concept: Theorizing Film and Media Florian Hoof (Goethe-University Frankfurt, Germany) Art-Matter Chapter 10: Borderline: Nauman's Balls and Acconci's Shoot Eva Ehninger (University of Bern, Switzerland) Chapter 11: The Romantic Readymade: Towards a Material Vitalism of Contemporary Art Stephen Zepke (University of Applied Arts Vienna, Austria) Sound-Matter Chapter 12: Revisiting the Voice in Media and as Medium: New Materialist Propositions Milla Tiainen (University of Helsinki, Finland) Chapter 13: Sonic Matter: The Material Cut-Ups of Christian Marclay Sebastian Scherer (Goethe-University Frankfurt, Germany) Chapter 14: Media Disenchantments Thomas Köner (Composer, Sound-Artist, Belgrade, Serbia, and Nice, France)
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