By examining medieval female saints' lives in dialogue with modern film theories, a trans-historical spectrum of visual experience is revealed: medieval saint and modern moviegoer are connected in the visual act.
By examining medieval female saints' lives in dialogue with modern film theories, a trans-historical spectrum of visual experience is revealed: medieval saint and modern moviegoer are connected in the visual act.
Alicia Spencer-Hall is an Honorary Senior Research Fellow at University College London. Their research interests include: medieval hagiography, disability, gender, digital culture, and film and media studies. Her first monograph, Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience was published by Amsterdam University Press in 2018, and is now available Open Access. Trans and Genderqueer Subjects in Medieval Hagiography, a collection co-edited with Blake Gutt, was published in 2021. Shortlisted for the Transgender Non-Fiction award at the 34th Lambda Literary Awards, the volume is now also available Open Access. Their second monograph, Medieval Twitter, was published by Arc Humanities Press in 2024.
Inhaltsangabe
Acknowledgements List of Tables and Figures Introduction: Ecstatic Cinema Cinematic Ecstasy Chapter 1: Play / Pause / Rewind: Temporalities in Flux Chapter 2: The Caress of the Divine Gaze Chapter 3: The Xtian Factor or How to Manufacture a Medieval Saint Chapter 4: My Avatar My Soul: When Mystics Log On Conclusion: The Living Veronicas of Liège Notes Abbreviations Bibliography
Acknowledgements List of Tables and Figures Introduction: Ecstatic Cinema Cinematic Ecstasy Chapter 1: Play / Pause / Rewind: Temporalities in Flux Chapter 2: The Caress of the Divine Gaze Chapter 3: The Xtian Factor or How to Manufacture a Medieval Saint Chapter 4: My Avatar My Soul: When Mystics Log On Conclusion: The Living Veronicas of Liège Notes Abbreviations Bibliography
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